A man who poses as a safari leader in order to seek revenge against the Mau Mau rebels who murdered his son. Hired to guide a jungle expedition by an eccentric millionaire, he finds himself drawn in to a romantic relationship with his client's beautiful fiancee. Cecil B. DeMille called Mature "100% yellow - the greatest coward ever born," and even in this colourful action-adventure film he was reluctant to go into the water due to crocodiles, which is strange as filming in Kenya back then with a Mau Mau uprising was dangerous. He, along with other Sterling cast, were taking a risk. Basking in Technicolor, Safari is a solid jungle film, the kind they don't make anymore. The action is quite gritty and exciting. There's some good tension and good characters like the one played by Ronald Culver, a cold-blooded rich man intent to notch a big lion kill as his trophy. But it's Victor Mature who really impresses as the safari leader with an modi operandi to lead an entourage in to an area where Mau Mau terrorists are around. The reason are explained in the first twenty minutes - far from wooden, Mature expresses anguish just by that look in his eyes. He was always better actor than he has been made out. There's a 007 connection as Terence Young directed it and Albert Broccolli co-produced.

source: Safari

This has all the familiar tropes as any other safari film (compare with Stewart Granger's version of King Solomon's Mines 6 years previously), but also works in contemporary history, as the Mau Mau uprising was a real event in Kenyan history. Obviously this was before CGI, so the animal effects are crude, but the 1950's colors are vibrant, and they featured a lot of different firearms probably not often seen on a real safari, like the Thompson, a pump action shotgun, and a Winchester 1892.

at the first sigh, nothing different by many adventure films from the same period. the love story, the animals, the Manichean distinction between characters, all is well known. but the difference is made by a lot of details. one - Victor Mature , who did a good job in a role who seems be perfect for him. in same measure, Janet Leigh in a fragile, delicate and powerful young woman portrait. and, sure, Mau Mau attacks, Earl Cameron giving a splendid portrait of the general. in rest - animals and lovely characters and the portrait of Africa , seductive and full of childhood references for the generations behind smartphone era.

This film will not disappoint the viewing family. It is chocked full of beautiful scenery, awesome wildlife, good acting, and of course Victor Mature, a man's man on a mission. It comes included with Janet Leigh taking an ill advised ride in a tiny rubber raft down a crocodile infested river complete with rapids and a water fall, not to mention any number of hippos. If you are a husband who has grown weary of saving your wife from self induced harm, you will enjoy this scene immensely. Recommended viewing for all.

SAFARI is a stock Hollywood adventure film set and made in Africa. The backdrop of the story is an interesting one that takes in the Mau Mau Uprising and includes a surprisingly vicious and adult opening sequence which works in the film's favour and is in actuality the best part of the movie: vivid, shocking, and a real hammer blow to the stomach. After this point the film goes down a gear and provides fitfully exciting viewing, although not without the problems associated with the big bucks productions of this era. One of these is Victor Mature as the heroic lead; his performance is entirely old-fashioned here and he looks like he's come straight from the 1940s. Janet Leigh is better as the love interest and disrobes for a couple of bathing scenes which would have been racy for the time. SAFARI also boasts the underrated Bermudan character actor Earl Cameron (SAPPHIRE) as the chief antagonist and very good he is too. The action bits are handled well and inevitably the scenery is a star in itself. A shame, then, that the overall experience is marred by footage of African creatures being shot which looks surprisingly realistic and makes me wonder if it was indeed done for real.

It is Kenya during the Mau-Mau uprising. Victor Mature leads a safari while being intent on revenge for the death of his son. Also on the safari are Roland Culver, intent on shooting a lion however much this involves risking other people's lives, Janet Leigh as a decorative young woman who doesn't understand that rubber boating on African rivers carries the risks of crocodiles, hippos and rapids, and assorted people of colour who call the white people Bwana and Sahib a lot, but are otherwise ignored unless they are serving drinks or lighting cigarettes. Directed by Terence Young, this film is full of spectacular widescreen colour scenery, lots of action, fairly good performances from many of the cast, a performance of solid mahogany from Mature, and lots of dummies falling off cliffs stuffed lions, and matte lines. It is still fairly entertaining.

Safari is directed by Terence Young and adapted to screenplay by Robert Buckner from a story by Anthony Veiller. It stars Victor Mature, Janet Leigh, John Justin, Roland Culver, Earl Cameron and Juma. A Technicolor/CinemaScope production out of Columbia Pictures, music is scored by William Alwyn and cinematography by John Wilcox. Plot finds Mature as a hunter Ken Duffield, who returns home from a trip to his Kenyan homestead to find his son as been murdered by a Mau Mau general who was hiding in disguise as the Duffield's house servant. Initially stripped of his thirst for revenge by the local authorities, Duffield gets his chance when he is hired by wealthy and powerful Sir Vincent Brampton (Culver) and his trophy fiancée Linda Latham (Leigh)lead them on a jungle hunt to kill as lion. Be on your guard against Mau Mau terrorists. Colourful, entertaining and often picturesque in scope, Safari manages to rise above its standard plotting to reveal a decent jungle adventure. Shot on location in Kenya and using the Mau Mau uprising as a backdrop, film was daring back in the day, that the likes of Mature and Leigh were talked into making a picture in Kenya at this time is impressive since the Mau Mau uprising was still in effect. What transpires as the film unfolds sees the stars put through their paces by Terence Young, a future James Bond director and a dab hand at action scenes. There's some inevitable cheapness in the production, with back screen projections and the odd dummy flung about, but action rushes and human peril is within and Wilcox's scope photography of the Kenyan landscapes is most pleasing. 6.5/10

***SPOILERS*** While out in the African savanna gunning down rouge bull elephants great white hunter Ken Dufield, Victor Mature, gets the terrible news that his house or homestead outside of Nairobi and been attacked and burned down by a gang of Mau Mau's with his 12 year old son Kenny Jr, Chris Warbey,and the house help brutally murdered by the marauding terrorist gang. It just happened that Dufield was hired by big time British explorer and blue blood Sir Vincent Brampton, Roland Culver, to track this giant 550 pound man eating lion Atari who's been dining on the local native population! With the news that the Dufield household's trusting and faithful houseboy the 35 year old Jeroge,Earl Cameron, was an undercover Mau Mau general and was responsible for the carnage at the Dufield house and the death of little Kenny Big Ken Dufield is more interested in hunting Jeroge down and killing him then the man eating lion Atari that Sir Vincent hired him to kill! Walking a tightrope in trying to track down both Arati and Jeorge deep in Mau Mau country things get a bit more complicated for Dufield in that Sir Vincent brought his fiancée former showgirl Linda Latham, Janet Leigh, along for the ride! Being obligated to track down and shoot Atari Dufield at first sets his sights on the man eater before on General Jeroge. It was Sir Vincent who pulled strings to get Dufield's hunting license back which was by then lifted by the colonial government. That's when it was deemed, in starting up with the local Mau Mau's in trying to kill General Jeorge, that Dufield was a danger to the community. It's in fact Sir Vincent, in jumping or shooting off his gun, who makes thing far far worse by wounding the big cat and making him far more dangerous then he already was. As for Linda she had plans of her own in seeing the sights and almost getting herself killed in the process. That's when rowing in the dangerous African waters on a rubber dingy she got caught in a riptide that almost had her killed either by drowning or being eating by a bunch of hungry crocodiles! That's until Dufield came to her rescue shooting down, as well as getting his pants wet, the swarming crocks as they were about to close in on her. ***SPOILERS*** It's after the man eater Atari is finally put away with a bullet, courtesy of Ken Dufield, between the eyes that it's reported that a major Mau Mau attack lead by General Jeroge has taken place when 200 interned Mau Mau's had broken out of a British detention camp outside of Nairobi. That finally gave Dufield the chance he's been itching for to get a shot at General Jeroge for murdering his son Kenny and the help at the Dufield house. Cowboy and Indian like ending with General or Chief Jeroge and his men, in the part of the Indians, getting by far the worst of it. With the calvary, in the person of the colonial troops, coming to the rescue in just the nick of time to save Dufield and whatever was still left, which included Linda, of his by now almost non existent safari.

A controversial film when first released in 1956 for using the Mau Mau uprising as a background for a Victor Mature adventure.Fifty six years later with the gift of hindsight the film can be viewed from a modern perspective.The Mau Mau,once considered terrorists,are now seen as freedom fighters.The truth is somewhere in the middle.Atrocities were committed by both sides.In disputes like this it is always the innocent who suffer.While Safari condemns the Mau Mau as cold blooded killers, in a slightly condescending way it emphasizes that most Kenyans are decent loyal citizens.The film should be viewed as a product of its time with the attitudes and sensibilities of the period.What is more controversial today is its glorification of big game hunting. Victor Mature plays big game hunter Ken Duffield who comes back from a safari to find that his family,including his son,have been massacred by the Mau Mau led by one of his house servants,a very harrowing scene.For his own safety his big game licence is revoked.Sitting in a bar in Nairobi drowning his sorrows he is approached by millionaire aristocrat Sir Vincent Brampton (Ronald Culver) who is accompanied by his dogsbody Brian Sinden (John Justin).Sir Vincent is obsessed with shooting a man eating lion called Hatari.He is an obnoxious money will buy anything type who gets Duffield's licence restored so he can lead the expedition. Duffield sees it as an opportunity to get his revenge on the Mau Mau.Also going along for the ride is Brampton's "fiance" Linda Latham,played by the delectable Janet Leigh. It is a long journey in which Duffield finds peace of mind and justice not vengeance is served.The successful outcome is due in no small part to the young native lad Adongo played by Juma, and the head boy Jerusalem played by Orlando Martins,a cheerful trumpet playing character,just the sort of bloke you want by your side in a fight. Victor Mature once stated that he was no actor and he had over seventy films to prove it.Come on Vic, in adventure and biblical films you had a certain monolythic grandeur and unlike Charlton Heston you never took yourself too seriously. Ronald Culver and John Justin are British thespians of the old school who have a look of slight bewilderment wondering what they are doing in this film but they are professionals and certainly don't let the side down. Juma and Orlando Martins are also a big asset and talking about big assets Janet Leigh is unbelievably glamorous,her wardrobe is certainly eye catching.Talk about the "Perils of Pauline",whatever her predicament she never looks less than immaculate.She takes the obligatory swim in the river,all in the best possible taste,and her bath scene would raise a few eyebrows.Never less than cheerful she is no shrinking violet always ready to roll her sleeves up and get on with it. A word of praise for Hatari the lion for the best performance in the film.He may have finished up in trophy cabinet but he gets his ten cents worth in first.He certainly makes Sir Vincent wish he had stayed at home. All filmed in glorious technicolor and on location the scenery and wildlife on view is a definite plus.Directed by Terence Young who knows his stuff it compares well with films such as "King Solomon's Mines" and "Mogambo".It is definitely superior to "Beyond Mombasa" which roughly deals with the same subject except the Mau Mau are called Leopard Men.It starred Cornel Wilde who ten years later made probably the greatest African adventure film of all "The Naked Prey".Considering the risqué scenes with Janet Leigh and the harrowing and explicit violence the Censors gave it a "U" certificate,surprisingly "The Naked Prey" got an "A" certificate,today they would be lucky to get a "12" rating. As a last thought John Justin played a character called Brian Sinden,in "Mogambo" Donald Sinden played a similar character.Possibly an "in" joke?