Veteran star Burt Reynolds directed himself for the fourth time in this okay adaptation of an Elmore Leonard novel. It's definitely minor league in terms of the Leonard adaptations out there, but it entertains adequately. Burt is cast as Ernest "Stick" Stickley, an ex-con who hooks up with old friend Rainy (Jose Perez) and accompanies him on a drug deal gone sour. Stick then becomes determined to exact some revenge on behalf of Rainy, taking on creeps like the dorky Chucky (Charles Durning) and the more genuinely menacing Nestor (Castulo Guerra). Leonard is credited as one of the screenwriters, but wasn't overly pleased with the final results, since Universal ended up removing a fair bit of his trademark humour and replacing it with action scenes - to make it more "commercially viable". The result is a basically watchable movie that increases in interest and entertainment value as it goes along, and the characters become more engaging. Along the way, we get many lovely shots of Florida locales, and an upbeat score by Barry DeVorzon and Joseph Conlan. The film offers some sex appeal and violence, but shouldn't be too ugly for some viewers to take. Burt is kind of going through the motions here, even as Stick reconnects with his young daughter (Tricia Leigh Fisher, younger half-sister of Carrie Fisher) and attempts to romance beautiful financial advisor Kyle (Candice Bergen, who does look great). George Segal is fatally annoying as motor mouthed rich dude Barry, a guy who likes to hobnob with the criminal element. Richard Lawson is good as one of Segals' employees. Durnings' performance is likewise good, but he looks so ridiculous with that wig, the false eyebrows, and that wardrobe that it's hard to take him seriously. Guerra offers the standout performance as the true villain of the piece. But the real reason to watch "Stick" is to see the late, legendary stuntman Dar Robinson in an extended acting role, as a psychotic, albino henchman named Moke. He's a lot of fun to watch, and his final scene is memorable. The Leonard purist might not be too fond of how this turned out, but it's reasonably enjoyable for Reynolds fans. Six out of 10.

Burt Reynolds stars and dominates in the title role of Ernest 'Stick' Stickley, newly released from prison who immediately gets right back involved with criminal activities with old prison buddy Jose Perez. A decade later the incident where Perez is killed was almost done word for word in Al Pacino's Carlito's Way. Unlike Pacino however, Reynolds would like to stay clear of things, but he's got a score to settle over Perez. For a bit of cover and protection he takes a job with flamboyant movie producer George Segal who really overacts outrageously with tongue firmly in cheek. Still the people who did in his friend Perez who are drug dealers Castulo Guerra and Charles Durning are out to get Reynolds. You have to see Durning in his costume trying to wear those 80s fashions and looking rather stupid in the process. Fabled Hollywood stuntman Dar Robinson has a nice role as an albino hit man for Guerra. He's one scary dude. In fact for the screen's sake he dies twice. I thought Reynolds had done him in once, but he was back and the second time there was no doubt. Guerra's character proves there's less than meets the eye with him. You'll have to see the climax to know what I'm talking about. And that hairpiece, send him to Queer Eye for maybe the not so straight guy. Reynolds has a few cynically comic moments, but he's a lot more grim here than usual. Due to the subject matter no doubt. Burt's fans will like it, so should others.

Just saw this last night for the first time ever and it really brought back memories of South Florida in the early to mid eighties. The same memories when I saw Paul Newman's "Harry & Son" also filmed nearby in Fort Lauderdale. The soundtrack in "Stick" is the precursor for "Miami Vice" the series. Once Burt shaves off the bear he even conveys that Sonny Crockett feel and hey! he's rooming w/ his own black buddy. The Grove Tower condo building is the one and same used in the classic 80's Wham! music video with the closing shot being George Michael standing on the top-floor balcony lamenting his lost love (or something). Having lived in Miami during the filming of "Stick" there are some funny lapses I noticed like when the Albino follows Burt as they drive East on the causeway, but then they're at Miami Jai-Alai which is located West of the causeway. Or earlier in the movie when Burt and his Boricua friend drive to meet Moxie one second they're at Nurty's in Fort Liquordale and then the next second in Coconut Grove (the two places are twenty-five miles apart). Regarding the movie: it's story is all right, nothing ground-breaking, but a good Elmore Leonard expose of the assorted types dealing drugs and living large in the 1980's South Florida. It's a shame George Segal wasn't part of a last act twist, but the villain Burt goes up against was pretty creepy himself. The character of Stick's daughter Katie could have had some impact in the last scenes, but she wasn't written that way. Durning as Moxie is a hoot! The red eyebrows and red wig are too funny! The rest of the Spanish-speaking cast gives good support to the story and a strong sense of "place." Burt's direction is seamless and professional. Trivia note: in 1989 BOTH George Segal and Candice Bergen premiered new series on TV. Segal's was "Murphy's Law" and if you blink you missed it. Bergen's ... well, if you don't remember the iconic status her protagonist reached during the '92 presidential race (courtesy of Dan Quayle) then you must have blinked for eight years worth of time.

A few years ago I was working at Blockbuster Video and bought this movie brand new for $1.00 on VHS. It was worth it. Most people don't like this movie, but I have a certain fondness for it. I am a huge Elmore Leonard fan and also a Burt Reynolds fan so I liked it. I admit that it has flaws like Candice Bergen's wooden performance. But it has two great acting jobs by Charles Durning and the late stuntman Dar Robinson as the albino hit-man Moke. His performance is truly terrifying. It is terrific when Burt taunts him as Bunny Eyes. Durning is also great as a red haired drug dealer. There are a few good action scenes at the beginning and then at the end. The middle of the film drags. If only the intensity of the beginning could be kept up to the finish this would have been a great film.

Burt Reynolds's really made an impression with his smartly catered cop thriller "Sharky's Machine" and four years later he churn out another directorial crime outing. Maybe not as effective and complete, but still acceptable time filler. The story is penned by the reliable Elmore Leonard, who has a knack for building crime and character interactions within a busy framework. That's were I found it to peter out at times, as there seems too be so much going on and from that it can get a little distracted. It starts off strong, but then it goes wayward and stalls too often. Reynolds' sober direction seemed rather uneven in trying to balance out the explosively grimy moments with the uneasy comic relief. The film was more character driven (likeable relationships are struck or quick fuses erupt) and held together by its plot developments, but the script just didn't bite hard enough and its ending is quite lousy. Gladly the performances stand-up; namely that of the support cast. Where the bad guys are truly vile. Dar Robinson (who's mainly a stuntman) is magnificently threatening as the albino hired killer. A true scene stealer. While he hands out some nasty punishment and the gravel voice strikes fear. Alone just looking at him is frightening enough. Charles Durning playing a scummy low-life crook sticks out with his loud, bright Hawaiian shirts, feathered hair and wild bushy eyebrows. It's hard to take your eyes off either one. Leading the way in the bad guys is a dashing Castulo Guerra. You know the man with the power… the one you don't want to get on the wrong side of. To go with that, he's quite spiritual, but with a mean-streak. Burt Reynolds' character finds himself stuck in the middle of this trio when after getting out of prison he joins a buddy on job involving some of Miami's lowlife criminals. However it's a set-up, where his friend is killed and he is soon targeted. So he seeks payback, but on the other side of the coin he wants to go straight so he can catch up with daughter. Reynolds plays it with that laconically tough shade and knowing attitude, letting his charm carry him along. His weapon of choice seems to be his smartarse lines… physical wise gasoline or matches… that you only get disappointed when he can't get a hold of one of these objects. The next best thing was death by scorpion. Another scene stealer would be George Segal as a cheerfully naïve millionaire that loves the company of criminals. Some sequences with him were priceless. Also showing up is Candice Bergen (the love interest), Jose Perez and Alex Rocco. Clunky, but amusing.

"Stick' is a fairly routine Burt Reynolds action film. I was never convinced that Reynolds motivation, revenging the death of his drug runner friend, felt warranted. The villains are highlighted by a brutal albino, and Charles Durning wearing a ridiculous wig. Cartoon like violence detracts, and were it not for some welcome humor associated with George Segal's flamboyant character, the movie would be totally forgettable. Candice Bergen as Reynolds love interest is cold as ice, and never convincing in her role as a financial adviser to Segal. The choppy editing and lack of any suspense further detracts. I would say that "Stick" is watchable but has little to recommend it. - MERK

Been searching for years to try and find it,saw it on UK television in the late 80's but never again.Has anyone seen or got a copy,VHS,DVD any format will do.

When I read the novel I had no problem picturing Burt Reynolds as the charming and laconic ex-con. And supposedly Reynolds himself thought he was perfect for the part. Unfortunately, the studio demanded he re-shoot the second half of the picture, basically trading in Elmore Leonard's scam plot for brutal action. There's always something very satisfying about watching Burt kick ass, so even if I was wondering why anyone would want to trade Leonard's smart and funny writing for a run-of-the-mill action script, I still enjoyed the finale of Stick. Still, the Ernest Stickley from the novel called for the more lighthearted Burt from Semi-Tough, Hooper and Rough Cut. I would have loved to have heard Burt deliver some of the smart-ass lines Leonard wrote for the character in the novel. Also, some scenes just don't make a whole lot of sense now, like Stick wanting to learn about investments from Kyle or the movie pitch scene. Both of these were pivotal in the book, but just go nowhere in the film. There's a lot of good stuff though. The scene on the balcony is awesome, the scorpions were a nice touch (not in the book!) and I liked the way the murder in the beginning was handled, with Stick's subsequent getaway through the corn field. If you like Burt Reynolds Stick is certainly worth your time, just don't expect a faithful adaptation.

Burt Reynolds has in Stick the opportunity to come back in interpreting the kind of character that consecrated him:the cynic,charmous and irresponsible anti-hero.Once the movie was based on an Elmore Leonard's book,whose works are known due it's unics,rotters and ambiguous characters,he has the possibility to exaggerate on the creation of the movie's protagonists.The simpleton plot offers a simple and passing diversion.Burt Reynolds is Ernest Stickley, an ex-com who just have been set free and who gets involved in a hard situation after going with his friend to accomplish a drug transaction in a desert place.His friend is murdered,but he escapes and now he wants revenge.He ends up becoming an employee and protected of a millionaire,and,while weaving his revenge,he gets emotionally involved with his boss'secretary,Kyle(Candice Bergen).If this film has a trump card,it is adapting faithfully the Elmore Leonard's book.The film counts with a terrific final climax,stuffed with shooting and a beautiful final scene,underlined by a beautiful music called Ï don't think I'm ready for you"...

I know that many people have mixed feelings about this story. Once I saw a comedian on the cable comedy channel using 'stick' to slam in his act, of the worst Burt Reynolds movies ever. But I contend, even so with Burt at the helm of this 'ship', that the story was told by a master at story creating and telling. He (Leonard) has not liked almost all the adaptations to the screen from his books with the exception of 'Get Shorty' which, well...how do you beat that one??? At any rate, the story I liked, there was enough to keep me 'into it'. Even though I like a lot of different movies, I don't like every movie I see. This was a right-cut for Burt Reynolds I thought. He pulled the character off, in the manner in which he does, in 'waves'. He's had mono-tone performances and out and out wild ones too. Whatever the critics think or say, there was a great cast and the location was perfect as well. I can live with this Burt-directed story from 1985, heck why not, it was the eighties.