source: The Lady Vanishes

Trailer—The Lady Vanishes

The Lady Vanishes

Always one to buck the trend, I love this film! And has done since it was made. It was the fantastic music to begin with, but it drew me in. Goodness knows why it's taken me such a lengthy time to write this. It's an excellent cast, very well photographed and makes me smile. What's not to like? So, it's different from the 1939 version? Of course it is: there's forty years between them! One isn't better than the other. They're just different. However, any film which makes me smile is a winner in my book. I have it on DVD, but I'm always glad to watch it on the telly. Did I mention I love the music? I wish I could buy that on its own.

I only wished this remake would have done the vanishing! Awful remake of the classic Hitchcock suspense thriller that is marred by the idiotic casting of Gould and Shephard, who spend most of their time turning the mystery into laughs. Lansbury breathes the most life into the film as Miss Froy.

Ugh! What a mess! Only Angela Lansbury among the major cast members stands out. Cybill Shepherd seems to have the "madcap" part down, but too often she is merely silly rather than funny. As for Elliott Gould, he seems completely miscast, and acts as if he wandered in from another movie. This is hardly an improvement of -- or even an enlightening insight into -- the Hitchcock original. Only intermittently entertaining, but, by all means, see it if you're a Lansbury fan : she's wonderful!

Remake of a British 1938 Michael Redgrave film with Dame Mae Witty and Margaret Lockwood. The 1979 version, done as a Cybill Shepherd and Elliott Gould vehicle, pushes mainly its comedic/farcical elements instead of it being s legitimate mystery itself. The political intrigues and treacheries of the years between the First and Second World Wars made a better basis for the 1938 film than the 1979 film had. Alfred Hitchcock had still been in Britain when his 1938 film was made. Hitchcock had a sure hand utilizing the looming dangers and unease of the time, just one year prior to Britain's actual 1939 entry into WWII. The 1979 film isn't rotten but it simply doesn't hold up when weighed against Hitchcock's original. If you watch the 1979 movie, do so expecting a comedy not a mystery, and do so before you ever have seen the Hitchcock version.

Angela Lansbury plays a nanny turned spy who is attempting to get back to Britain with some vital information. Set in Pre-WWII Germany this movie chronicles the trip of Cybill Shepherds character back to the UK to be reunited with her fiancé. On the train she befriends Ms. Froy and another American (played by Elliott Gould). However, things go awry when Ms. Froy seemingly vanishes into thin air and nobody on the train seems to have any memory of her. Is Shepherds character losing her marbles? - Gould certainly seems to think so...that is until he spots something out of the train window for a fleeting second. Its a superb story and very satisfying. I really enjoy this charming thriller.

Its inevitable that this would be compared to Hitchcock's 1938 original but for me there are many pleasures to be had in this elegant comedy-thriller. Douglas Slocombe's Panavision photography is wonderful and the playing of all involved is beautifully poised. George Axelrod's reworking of Sidney Gilliat's screenplay adds a nice screwball touch with his one-liners and Ian Carmichael and Arthur Lowe as the cricket-obsessed British tourists add humanity to their chauvinistic bullishness. And as a self-confessed Angela Lansbury fan I of course relished her depiction of Miss Froy. On a big cinema screen this looks terrific.

There's a strong tendency to compare Hitchcock's version of "The Lady Vanishes" with the 1979 version starring Elliot Gould, Cybill Shepherd, and Angela Lansbury. There's no need to do so. Both have the same title but entirely different moods. This doesn't make one "better" or "worse" than the other. They just should be judged on their own merits. Both are thrillers, one more somber and tense, and the latter version more of a melodramatic mystery with comedic touches. What I would suggest is that the viewer simply watch both versions, recognizing the strong and weak points of each. Both are enjoyable, but to interject a personal note, I tend to lean toward this 1979 version for its tone that's more like other mystery films such as "Charade" or "North By Northwest". Enjoy them both as different cinematic expressions and let others worry about comparisons.