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The Scarlet Empress

The Scarlet Empress

★ 7.51934Movie1 h 44 mامریکہ
ڈرامہتاریخرومانی

A German noblewoman enters into a loveless marriage with the dim-witted, unstable heir to the Russian throne, then plots to oust him from power.

7860 people rated
🔇

The Scarlet Empress

1934

R

1 h 44 m

امریکہ

ڈرامہ

تاریخ

رومانی

A German noblewoman enters into a loveless marriage with the dim-witted, unstable heir to the Russian throne, then plots to oust him from power.
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7.5 /10

7860 people rated

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ٹاپ کاسٹ(20)
starring avatar
Marlene Dietrich
Princess Sophia Frederica
starring avatar
Marlene Dietrich
Catherine II
default avatar
John Lodge
Count Alexei
starring avatar
Sam Jaffe
Grand Duke Peter
starring avatar
Louise Dresser
Empress Elizabeth Petrovna
starring avatar
C. Aubrey Smith
Prince August
starring avatar
Gavin Gordon
Capt. Gregori Orloff
starring avatar
Olive Tell
Princess Johanna Elizabeth
starring avatar
Ruthelma Stevens
Countess Elizabeth 'Lizzie'
default avatar
Davison Clark
Archimandrite Simeon Todorsky
default avatar
Davison Clark
Arch-Episcope
starring avatar
Erville Alderson
Chancelor Alexei Bestuchef
starring avatar
Philip Sleeman
Count Lestoq
starring avatar
Marie Wells
Marie Tshoglokof
starring avatar
Hans Heinrich von Twardowski
Ivan Shuvolov
default avatar
Gerald Fielding
Lt. Dmitri
starring avatar
Maria Riva
Sophia as a Child
starring avatar
Eric Alden
Lackey #5
starring avatar
Richard Alexander
Count von Breummer
default avatar
Nadine Beresford
Sophia's Aunt

صارف کا جائزہ

author avatar

J Flo

29/05/2023 16:43
source: The Scarlet Empress
author avatar

Twavu

18/05/2023 09:32
Moviecut—The Scarlet Empress
author avatar

is_pen_killer

16/11/2022 10:13
The Scarlet Empress
author avatar

Pratikshya_sen 🦋

16/11/2022 01:45
Josef Von Sternberg's outrageous masterpiece featuring Marlene Dietrich as Catherine the Great and Sam Jaffe as Peter, her half-wit foil. It's a thrilling film full of opulence, with Sternberg serving up his most assured direction. This is the best of the director's collaborations with Dietrich. It's full of bizarre touches, including highly ghoulish art direction, a WAY over the top performance by Jaffe and an almost way over the top performance by Louise Dresser (as a very bossy Empress Elizabeth Petrovna). The cinematography by Bert Glennon is stunning and the Travis Banton costumes are outlandish. The film reaches a near camp crescendo when Dietrich dons a uniform and rallies the Russian army to her aid. It's an insane, brilliantly conceived film. Sternberg produced, had a hand in the editing and also worked on the film's lighting (it would be hard to argue that Dietrich ever looked better!)
author avatar

Salah Salarex

16/11/2022 01:45
Truly one of the greatest films ever made (see the International Film Critics' Top 100 Films list as well). Dietrich was never more luminous, nor cinematography more gorgeous, than in THE SCARLET EMPRESS. It's in black and white, but you'll feel like it's in full and glorious color. History it's not, but who cares? This is the way things should have been.
author avatar

Hamed Lopez

16/11/2022 01:45
......I saw this years ago, but some of the images-Marlene on a swing, the charging horsemen, the bits w/ Sam Jaffe and C Aubrey Smith, most certainly stand out. It was definitely the director's way of putting his worship of Marlene on display for all to see, Catherine might as well have been Cleopatra or Eleanor of Aquitaine for all the historical accuracy-ha ha-they use. This was a movie about excess as much as anything, curtains that go on forever, huge doors, loud music, etc. They just don't make them like this anymore and certainly couldn't afford to then, either. I don't think I ever saw Marlene anymore sensual than in this film, and I agree, her idea of playing a 'poor innocent gal'-that isn't put across well at all. Sometimes you just can't fake it, no matter how hard you try. *** outta ****, style over everything.
author avatar

Xandykamel

16/11/2022 01:45
The equine theme running through this bizarre, campy, creepy, cynical, disturbingly beautiful bio-pic is quite significant, given the facts of the life and death of Catherine the Great, culminating in the wildly over-the-top final shot. This movie just drips with European social and sexual decadence, and also with incredibly lavish and languid imagery throughout. Dietrich and von Sternberg seem determined to prove that they could make the transformation of a naive romantic girl into a lascivious power-mad monarch somehow heroic, and also that American audiences would lap it up while denying the depth of the depravity they were embracing. This movie succeeds on every level, especially the subversive one...
— No more content —

صارف کا جائزہ

author avatar

J Flo

29/05/2023 16:43
source: The Scarlet Empress
author avatar

Twavu

18/05/2023 09:32
Moviecut—The Scarlet Empress
author avatar

is_pen_killer

16/11/2022 10:13
The Scarlet Empress
author avatar

Pratikshya_sen 🦋

16/11/2022 01:45
Josef Von Sternberg's outrageous masterpiece featuring Marlene Dietrich as Catherine the Great and Sam Jaffe as Peter, her half-wit foil. It's a thrilling film full of opulence, with Sternberg serving up his most assured direction. This is the best of the director's collaborations with Dietrich. It's full of bizarre touches, including highly ghoulish art direction, a WAY over the top performance by Jaffe and an almost way over the top performance by Louise Dresser (as a very bossy Empress Elizabeth Petrovna). The cinematography by Bert Glennon is stunning and the Travis Banton costumes are outlandish. The film reaches a near camp crescendo when Dietrich dons a uniform and rallies the Russian army to her aid. It's an insane, brilliantly conceived film. Sternberg produced, had a hand in the editing and also worked on the film's lighting (it would be hard to argue that Dietrich ever looked better!)
author avatar

Salah Salarex

16/11/2022 01:45
Truly one of the greatest films ever made (see the International Film Critics' Top 100 Films list as well). Dietrich was never more luminous, nor cinematography more gorgeous, than in THE SCARLET EMPRESS. It's in black and white, but you'll feel like it's in full and glorious color. History it's not, but who cares? This is the way things should have been.
author avatar

Hamed Lopez

16/11/2022 01:45
......I saw this years ago, but some of the images-Marlene on a swing, the charging horsemen, the bits w/ Sam Jaffe and C Aubrey Smith, most certainly stand out. It was definitely the director's way of putting his worship of Marlene on display for all to see, Catherine might as well have been Cleopatra or Eleanor of Aquitaine for all the historical accuracy-ha ha-they use. This was a movie about excess as much as anything, curtains that go on forever, huge doors, loud music, etc. They just don't make them like this anymore and certainly couldn't afford to then, either. I don't think I ever saw Marlene anymore sensual than in this film, and I agree, her idea of playing a 'poor innocent gal'-that isn't put across well at all. Sometimes you just can't fake it, no matter how hard you try. *** outta ****, style over everything.
author avatar

Xandykamel

16/11/2022 01:45
The equine theme running through this bizarre, campy, creepy, cynical, disturbingly beautiful bio-pic is quite significant, given the facts of the life and death of Catherine the Great, culminating in the wildly over-the-top final shot. This movie just drips with European social and sexual decadence, and also with incredibly lavish and languid imagery throughout. Dietrich and von Sternberg seem determined to prove that they could make the transformation of a naive romantic girl into a lascivious power-mad monarch somehow heroic, and also that American audiences would lap it up while denying the depth of the depravity they were embracing. This movie succeeds on every level, especially the subversive one...
— No more content —
ڈس کلیمر: 1234money پر موجود تمام ویڈیوز اور تصاویر انٹرنیٹ سے ہیں، اور ان کے کاپی رائٹس اصل تخلیق کاروں کے ہیں۔ ہم صرف ویب پیج کی خدمات فراہم کرتے ہیں اور کسی بھی مواد کو اسٹور، ریکارڈ یا اپ لوڈ نہیں کرتے ہیں۔
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