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The Woman Who Ran

The Woman Who Ran

★ 6.72021Movie1 h 17 mکوریا
ڈرامہ

While her husband is on a business trip, Gamhee meets three of her friends on the outskirts of Seoul. They make friendly conversation but there are different currents flowing independently of each other, both above and below the surface.

3976 people rated
🔇

The Woman Who Ran

2021

R

1 h 17 m

کوریا

ڈرامہ

While her husband is on a business trip, Gamhee meets three of her friends on the outskirts of Seoul. They make friendly conversation but there are different currents flowing independently of each other, both above and below the surface.
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6.7 /10

3976 people rated

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ٹاپ کاسٹ(9)
default avatar
Iseo Kang
An interview woman
default avatar
Kim Min-hee
Gam-hee
default avatar
Eun-mi Lee
Young-ji
starring avatar
Hae-hyo Kwon
Mr. Jeong
starring avatar
Song Seon-mi
Soo-young
starring avatar
Young-hwa Seo
Young-soon
default avatar
Sae-byeok Kim
Woo-jin
starring avatar
Seong-guk Ha
Young Poet
starring avatar
Seok-ho Shin
Cat Man

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author avatar

Pranitha Official

15/08/2025 22:52
TWWR is about an extremely thin woman who visits three friends, separately, while her husband (who may not exist) is away on a trip. With each friend she eats and drinks and talks. This is a fairly common device for when there's no other action to be getting on with: meals, a substitute for drama which you will see in any soap opera you care to name. Pleasant enough to look at, well acted on the whole and interesting for a glimpse of middle-class Korean life, which seems to be exactly like any other middle class life. Some of the crash zooms are a bit clumsy, maybe the camera was old. Rather slow - people park their cars, try on coats, watch films, eat, drink and talk. Only two men appear, which may be a positive for you. Middle class Korea looks, er, nice. Seoul house prices are discussed at length. The dramatic tension appears to rest in the fact that no matter how much she eats, she gets thinner and thinner. She doesn't do any running. Does she have worms? The question is left unresolved.
author avatar

Sumee Manandhar

18/10/2022 03:47
Sauce
author avatar

Vhong Navarro

17/10/2022 02:37
Absurd dialogues, movie is shot like a school project, I feel like I wasted my time which will never get back.
author avatar

momentogh

17/10/2022 02:37
" Three states, whether divorced, unmarried or married, none is perfect for a woman, each has its own pitfalls and perks, that amounts to common knowledge. As for Gam-hee, what runs underneath her 'happy marriage' guise is some undertow inaccessible to viewers. Kim Min-hee can telegraph emotional shadings in a heartbeat, but cumulatively, she hardly step out of her comfort zone in Hong's conceptualization of an 'every woman' to his liking, all her characters are consistently cerebral, coy, sensitive and prone to keep one's own counsel." read my full review on my blog: Cinema Omnivore, thanks.
author avatar

Theiconesthy

17/10/2022 02:37
This is a comfort movie. The older you get, the more sensible you become. It is funny looking back into the past when we meet the familiar faces. Friendships, aquaintances, love, marriage, divorce, separation, loneliness, happiness, sadness, betrayals, and all other things together patched up. Sometimes we do need the closure even if it doesnt bothers so much. Remember everything that we worry about now wont even be an issue few years down the line.
author avatar

Hota

14/10/2022 02:50
Trailer—Domangchin yeoja
— No more content —

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author avatar

Pranitha Official

15/08/2025 22:52
TWWR is about an extremely thin woman who visits three friends, separately, while her husband (who may not exist) is away on a trip. With each friend she eats and drinks and talks. This is a fairly common device for when there's no other action to be getting on with: meals, a substitute for drama which you will see in any soap opera you care to name. Pleasant enough to look at, well acted on the whole and interesting for a glimpse of middle-class Korean life, which seems to be exactly like any other middle class life. Some of the crash zooms are a bit clumsy, maybe the camera was old. Rather slow - people park their cars, try on coats, watch films, eat, drink and talk. Only two men appear, which may be a positive for you. Middle class Korea looks, er, nice. Seoul house prices are discussed at length. The dramatic tension appears to rest in the fact that no matter how much she eats, she gets thinner and thinner. She doesn't do any running. Does she have worms? The question is left unresolved.
author avatar

Sumee Manandhar

18/10/2022 03:47
Sauce
author avatar

Vhong Navarro

17/10/2022 02:37
Absurd dialogues, movie is shot like a school project, I feel like I wasted my time which will never get back.
author avatar

momentogh

17/10/2022 02:37
" Three states, whether divorced, unmarried or married, none is perfect for a woman, each has its own pitfalls and perks, that amounts to common knowledge. As for Gam-hee, what runs underneath her 'happy marriage' guise is some undertow inaccessible to viewers. Kim Min-hee can telegraph emotional shadings in a heartbeat, but cumulatively, she hardly step out of her comfort zone in Hong's conceptualization of an 'every woman' to his liking, all her characters are consistently cerebral, coy, sensitive and prone to keep one's own counsel." read my full review on my blog: Cinema Omnivore, thanks.
author avatar

Theiconesthy

17/10/2022 02:37
This is a comfort movie. The older you get, the more sensible you become. It is funny looking back into the past when we meet the familiar faces. Friendships, aquaintances, love, marriage, divorce, separation, loneliness, happiness, sadness, betrayals, and all other things together patched up. Sometimes we do need the closure even if it doesnt bothers so much. Remember everything that we worry about now wont even be an issue few years down the line.
author avatar

Hota

14/10/2022 02:50
Trailer—Domangchin yeoja
— No more content —
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