Loosely intended as a satire of D.W. Griffith's Intolerance, The Three Ages was Buster Keaton's first attempt at a full length comedy feature. The only similarities to Intolerance are the opening "book" scene and the fact that similar stories through the ages are edited together into a complete film. Keaton's reasoning for appropriating this style was that if it didn't succeed as a feature film, it could be reduced to three two-reelers. Fortunately, The Three Ages succeeds brilliantly as a comedy and contains some of the funniest routines I've seen in any of Keaton's film. There is nothing unique or daring about the story lines. They are simple boy-meets-girl, boy-loses-girl, boy-gets-girl plots, but the period satires are riotous and set the standard for future works by Mel Brooks and all films of this genre. However, I don't believe that anyone has ever topped this comedy. No one can play the lovable goof like Keaton and the stunts in this film are some of his best. In addition, Wallace Beery's appearance as Keaton's rival adds to this film's appeal. Anyone who thinks that comedy from the 1920's cannot be appreciated by modern audiences needs to see this movie.

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Three Ages

Buster Keaton has his misadventures in three time periods; the Stone Age, the Roman Age, and the Modern Age. Love is the constant and so is the competition for it. Buster has some good gag. The funniest sight gag has to be the chariot. The big high-rise fall is darn good. It's a little slow at times. I would rather have each time period be grouped together. This would become 3 twenty minute shorts and the stories would flow easier. This is an interesting Keaton movie and his first 'full length' movie. He has better ones later on.

The misadventures of the luckless Buster Keaton in three separate historical periods. This was Buster Keaton's first feature film and apparently he made it the three parts not so much for artistic reasons, but because he felt it would be easier to sell the sections as shorts if the feature was a failure. Clever business move, but of course we all know now that he was quite successful. But the film makes me wonder: when did the idea of the caveman begin? The way they are shown here is pretty much the same way they are in the "B. C." comic strip or the Geiko commercials... but when did this become the archetype?

This is a cleaver film featuring love through the ages. The film consists of Keaton seeking out a lady love in the stone age, in ancient Rome and in the present (1920s). In all three cases, he is the usual wimpy Buster and he battles against Wallace Beery for his lady love. Of the three time periods, I think I liked the Roman one best even though I admit it might have also been the cheesiest. I actually liked the scenes with the lion that was obviously a guy in a costume as well as the weird chariot race in the snow--but what I really enjoyed the most was seeing all of Keaton's amazing acrobatics. However, all three time periods were good old fashioned fun and the film, while not his best, is still an exceptional and enjoyable film. Check it out!

"The Three Ages," Buster Keaton's first feature-length film after a number of comedy shorts, is his parody of Griffith's "Intolerance." Keaton tells three parallel stories about the perils of romance, one set in the Stone Age, one during the Roman Empire, and one during the 20th century. In the context of Keaton, I don't see "The Three Ages" given a lot of mention. This is a shame, since while it's not Keaton's finest work, it ranks with his funniest. In one scene, Buster falls into a pit with a lion. Afraid of getting eaten, he pampers the lion and gives it a manicure. What follows is one of the funniest visual gags I've ever seen.

This is a pleasant and funny combination of slapstick and satire, period humor and romantic comedy. It does not have quite the number of sustained chase/stunt sequences as in most of Keaton's features, but instead there are a lot of fine subtle gags of all different kinds. In each of the "Three Ages", Buster and Wallace Beery vie for the affections of the same woman, with amusing and unpredictable results. The simple romantic triangle theme sets up a lot of good material, on the one hand lending itself to a lot of gags about the unchanging nature of romantic courtship, and on the other hand being used for a lot of deliberate anachronisms that are often extremely funny. Beery makes a nice foil for Keaton, and the girl's parents also have some good moments. This one usually gets lost in the crowd among so many brilliant Keaton masterpieces, but it works very well and is definitely worth seeing for any fan of silent comedy.