It's a real shame that you are unlikely to find this movie in your local video rental store. It's relentlessly concentrated, uncompromising and beautiful. It's paced slowly at the beginning, drawing the viewer in, but repays the effort you put in (and it's pretty short). The story focuses on a disillusioned priest in a remote village who is unable to accept the love offered him by Marta, his friend, and unable to offer the conviction of his faith to save a fisherman from suicide. There are several hidden references to the crucifixion: the time covered in the movie (noon to 3 pm) is the same as the time Jesus spent on the cross; the location of Marta's skin disease corresponds to the "stigmata" or wounds from the nails. I can't recommend this film strongly enough. Every time I see it I am stunned by the beauty and meaning in every single frame.

source: Winter Light

Nattvardsgästerna

I watched this film the other night, and this struck me as perhaps the most profound and "real" movie that I have ever seen. It deals with the silence of god, and meaning of life. With the brilliant photo by Sven Nykvist, the surroundings comes alive unlike most other movies with color! If you've ever lived in that scenery (cold pine-forested northerly countries) It appears almost as if it were in color, as if one is there at that moment. Needless to say, the actors makes fantastic performances. I find it pointless to say much about the plot, it is well summarized on this site, it is also a very personal movie to watch and therefore any type of "analysis" that is revealed to the viewer before he or she has seen the movie, may interfere with their own personal view on things. Truly a masterpiece among movies, completely free from unimportant elements, a clear, uncompromising questioning of ones faith in god and life. 10/10

possibly my absolute favorite Bergman film. Gorgeous, the way a fresh blanket of snow on a frigidly cold winter night is. Brutally bleak, "Winter Light" may be about losing religious faith, but I don't think you have to have a religious faith to identity with Gunnar Bjornstrand's character, the pastor of a small town. His "faith" is as much a will to live as anything else. Bjornstrand and Ingrid Thulin are amazingly good, and Max von Sydow does more with a few subtle expressions, and very little dialog, than most any actor is capable of. Not a film to watch in the dead of winter if you suffer from SAD, unless you're like me and get a perverse type of therapy from confronting the hopelessness head first.

"Winter Light" (Swedish, 1962): Just prepare yourself. Bergman is at his depressive best here. If you've ever lived in an environment that is perpetually cold, wet, and gray, you'll understand. If not, well, this film will illustrate it for you. A preacher, in serious depression himself, is losing his flock. His flock has rampant depression too. He tries to help, but it's useless. He starts looking for answers from them. No one has answers. Things happen. Nothing happens. It's the same old thing today, and tomorrow. This film requires patience. Expect no action. Even a scene change begins to seem like excitement – which is exactly what Bergman wanted for you. One scene, in which a major character "narrates" a letter she wrote to the preacher, is amazing. With a blank background, she stares into the lens of the camera, and talks "at" you – for pages. What a gutsy thing to do in a MOVING PICTURE. Avoid this film if you want more than thinking and feeling as results.

It's a real shame that you are unlikely to find this movie in your local video rental store. It's relentlessly concentrated, uncompromising and beautiful. It's paced slowly at the beginning, drawing the viewer in, but repays the effort you put in (and it's pretty short). The story focuses on a disillusioned priest in a remote village who is unable to accept the love offered him by Marta, his friend, and unable to offer the conviction of his faith to save a fisherman from suicide. There are several hidden references to the crucifixion: the time covered in the movie (noon to 3 pm) is the same as the time Jesus spent on the cross; the location of Marta's skin disease corresponds to the "stigmata" or wounds from the nails. I can't recommend this film strongly enough. Every time I see it I am stunned by the beauty and meaning in every single frame.