oh no

source: A Lovely Way to Die

A Lovely Way to Die

Yes, in this typical comedy crime flick from the mid sixties, showing a cool detective, I would have bet my last shirt on George Peppard for the gumshoe role; check his filmography, Universal Studios, and also his usual characters for this period. This character should have been for him and not Kirk Douglas, what a midcast. But this isnot a crap, only a detective plot, plenty of charm and atmosphere of this unique period for the movie industry, directed by a TV director, involving rich people. Paul Newman as Harper for instance should have been the best, or why not Steve Mc Queen, though they were both too good for this kind of junk. This is too light hearted, but amusing.

Theme song and music are very time specific. The hard boiled cop character is over the top including the serial womanizing. The embezzlement crime and all the cover ups are ludicrous. The murder mystery is ultimately resolved but by then the trial is over the the 'femme fatale' is already found not guilty of her husband's murder. The final rescue including a superfluous helicopter chase and some unbelievable pistol shooting to solve the underlying crime is not credible. Oh by the way, Kirk is driving a Cougar and not a Mustang like the other review states. There is no car chase like Bullet and Kirk's character is no Dirty Harry, the feel is more like the period's spy or espionage films.

Ghastly vanity project by a fading star. Most bad movies have a camp, unintentional comedy value but this doesn't even have that. Sylvia Koscina is very lovely to look at. She also has an amazing bubble flip that never gets missed, even after getting out of bed or wearing a wig over it. Automobiles furnished by Lincoln-Mercury.

Cheesy does not even begin to describe it. Some of the most wooden acting and clunkiest dialogue I have ever experienced. It's actually like a Carry On film without the laughs. Not that Kirk Douglas has a cast-iron reputation as a discerning, talented actor, but his appearance in this is just embarrassing. Likewise Eli Wallach. Then there's this plinky-plonky music running along through many scenes, often totally at odds with the mood and images images it accompanies. Add to this some very weird editing and timing. People laugh (at things that are not remotely funny) or respond to things that are said a second too late. And I know it's of its time etc., but the women in the film are all such bimbos and doormats that even I as a man found it offensive at times. Not even "so bad it's good". Just brutal.

After they bribed Kirk Douglas to appear in this movie, with just enough left over to convince Eli Wallach to abandon his dignity, they must not have had any money left over for such trivialities as original music composition. So they bought the rights to some Bewitched out-takes. Gets worse, though. Douglas goes out on a date with a dish to a nightclub where they dance the Swig or the Swoop or the Boof or something, and then get into a fake car in front of a green screen. And he's already a half-century old. He's not getting 22-year-olds in any universe outside of Hollywood movies. I sure hope this is Kirk Douglas's worst movie b/c I'd hate to find one worse.

Police detective Jim Schuyler (Kirk Douglas) quits his job before he gets investigated for a history of rough treatment of suspects. He takes work from lawyer Tennessee Fredericks (Eli Wallach) and his client Rena Westabrook who is going on trial for the murder of her wealthy husband. At first, I thought Jim is being hired to solve the murder. Instead, he's not much more than a bodyguard and the movie takes on a slightly comedic tone. I don't see how the clashing tones work in this movie. It's weird and it goes nowhere quick. The murder trial hangs over everything and lacks any tension. I really don't like the music. It takes over an hour before she asks him to find her husband's killer. Why hire a police detective in the first place if not to solve the case? I just wanted him to get going with the investigating.