Featuring a cast riddled with amateur actors (aside from Shia LaBeouf and Riley Keough (granddaughter of Elvis Presley) "American Honey" is more than just another Cannes Film Festival calling card for writer/director Andrea Arnold, it is a gritty, startling master-class example of "slice of life" direction, the likes of 2016's "Manchester by the Sea" or "King Jack". Synopsis: A teenage girl, living in extreme poverty, is recruited into a traveling sales crew filled with other teens in her same situation. The group travels cross-country, scamming people into buying magazine subscriptions by day and partying incredibly hard by night. Arnold's hand-held camera work only helped immerse me into this lesser known subculture, watching these economically disadvantaged teens make sketchy life choices as they come of age inside a van sized commune of their peers. But it's the stellar performance from newcomer Sasha Lane which gives major credibility to this film and justifies some of its more minor flaws as well as the run-time. Much of the satisfaction I received from "American Honey" came from watching Lane's character evolve throughout. Final Thought: There are a few misplaced lines of dialogue, which seem to force-feed a bit more than I would have liked, and at a nearly three hour run-time, this Indie will be perceived as an intimidating venture for some, but boy is it worth your time. The genuine atmosphere of "American Honey" speaks to this generation like not many movies do, and will stay with you for days after viewing.

Do not waste your time watching this totally meaningless film. I thought with the high user reviews, and with Shia LaBeouf in it, it might be worth watching. I was wrong! This is one of the worse films I've seen in years. There's really no story to this movie. I kept waiting for something to happen, nothing ever did. While the acting and directing are OK, the script is extremely lame. Why make it two and half hours long?! It could either go on forever or have ended in the middle of the film, it would NOT have make any difference. A total waste of time in my opinion. How it got nominations and won several awards jut confuse the hell out of me.

I really liked it and when I saw the length of the film thought it may drag but it was nothing like that. The music tracks were truly great and the buzz feeling conveyed by the partying troupe was infectious. Throughout the film it seemed Star was going to meet with some unfortunate experiences and it made me anxious that she was going to find trouble but it was like riding waves for her. I felt at the end it was a rite of passage, an initiation, by her going into the water and overcoming her fears, a parallel with that is the guys jumping over the fire. I am quite critical of films but I found this a watchful enjoyable experience.

This is by far the worst movie I ever seen in my life. The actors are doing a great job, but the problem of the movie is not with the acting, the problem is that the movie is tremendously long, boring, pretentious and a very bad example for the young generations. It is a movie about lost teens who live on the road, with no rules and no respect for anybody out of their herd. And the most irritating thing is that a kid, watching this movie, might think that such kind of life could be cool, an example to follow. From the other side, being boring, long, pretentious, the critics might like it. Do not lose your time in watching, but if you do, avoid that your kids watch it.

Been anticipating this film ever since I've heard of it. This is a well made coming of age film about hopeless youth who are on the go. The film really reminded me of Kids but with stronger focus on its core character and her experience. It also reminded me a bit of Spring Breakers so maybe its a Harmony Korine thing. Sasha Lane stars as Star, a young drifter on the run who stumbles across a gang of people who travel in a van and are in "sales" and getting money where they can to get by. You're immediately curious about Star's previous life and experiences but you start in the moment and go on the road with her. Sasha Lane is just starting and I'm curious as to what her story is because this role was second nature to her. She's great. Love him or hate him, Shia LaBeouf can be a force on the screen. He is most certainly one in this film. There is a charismatic nature to his character and his relationship with Star (through the rage and love) is very entertaining to watch. I wish there was more of Riley Keough in this. I'm a huge fan of her after seeing her in the very excellent The Girlfriend Experience and she was the main attraction for me to this film. I may be biased but she steals the scenes she's in. The confederate bikini and oil rub scene in the motel room is fantastic. The film has some other really beautiful scenes. Star and Jake sitting on top of the car as the wind blows and the bright lights pass by; its so wonderful. The stage is set in southern America and you get a real sense of that world on every pit-stop. Not all the character's in the gang are fleshed out in this near three hour film but its hardly a detriment as not many of them are necessarily memorable. The film is heavy on soundtrack which makes sense as you take a car trip through the eyes of Star as she goes from place to place. The scenes during the day always look like its almost sunset. I think it adds to the grittiness and roughness of the American South. The camera is mostly personal and very zoomed on Star so you get to see the world through her first hand experience. I saw a message of how tough it is to set your life straight in a hard world and having to do whatever it takes to get by on a day to day basis. I think at its heart Andrea Arnold's film can be interpreted in a few ways but I saw it as the story of a down out of luck girl who will do whatever it takes to survive. Star potentially puts herself in dangerous situations in the film but she's just fearless throughout. Which takes me back to the curiosity of her past. To me, she's unfazed with what she's exposed to and can adapt very well. Once she realizes she can make it there's a moment of beauty as she takes whatever comes her way. She's always setting animals (and other people) free in this film because she seeks to set herself free. The first thing I'd recommend is not to be daunted by the running length of the film. Also be prepared for more of a visual, sonic, and spiritual experience over a film that's plot heavy and focused. I enjoyed it just as much as I thought I would. 8/10

Boring, vapid and just plain phony. The film follows a crew of young, mostly white trash teens and twenty-somethings as they travel the middle of the US selling magazines, but mostly riding in a large van smoking cigarettes or pot and nodding along to hip-hop (note to Andrea Arnold: people who wear Confederate flag bikinis generally don't listen to much hip-hop). The plot follows newbie Sasha Lane, who joins because she instantly crushes on the alpha male of the group, played by Shia LaBeouf. They are led by Riley Keough, who is sleeping with LaBeouf and is wary of Lane. There's little plot, pretty much the same thing over and over with Lane and LaBeouf eventually hooking up. Somehow it drags on for nearly three hours. The music licensing has to have cost a fortune. Lane, LaBeouf and Keough aren't bad, but none of the hundred other characters on this trip ever comes off as resembling actual human beings. Like you think with twenty people stuffed together in a van for hours on end a couple of them might have a conversation, but you'd be wrong. What this is all supposed to be saying about America or honey I have no idea.

With all the talk generated during the most recent presidential election about how out of touch one half of America is with the other, it takes a British filmmaker to give us a movie that brings the socioeconomic discrepancies between one part of America and another to light in a way that no other recent movie has. The young drifters in this movie are amazed at Kansas City, never having seen so many tall buildings together in one place before. A conversation with an older, professional trucker reveals that a dream both characters share is seeing the ocean. One girl thinks people who make $100,000 a year are rich. Wow, talk about a world away from where I live (Chicago) and where a salary of $100,000 makes owning a home barely affordable. For awhile, "American Honey" is a compelling glimpse into the life of those who have long since been left behind by the American dream. But the film goes on far too long and is far too monotonous to remain compelling for its entire duration. We only really get to know one person in the movie, a young woman named Star who is running from the hopelessness of her situation to.....what, exactly? She doesn't know, and that's the point of the movie. But that point is made long before the movie itself ends, and without much character development (Star's character arc is awfully short for a nearly three-hour movie), I found my attention and interest wandering in the film's final half hour or so. Grade: B

A young girl, named Star, with no economic abilities, bears the heavy responsibility of raising her two younger siblings. Hungry after living the life of a teenager she gets attracted to a group of young people at a supermarket with high spirit and a bad attitude. She leaves her siblings behind and joins the group who lives from day to day selling magazines to whomever they meet. The common denominator is the selling of magazines. How to do it? How to manipulate the potential buyer with different kind of stories up the sleeve that is supposed to impose sympathy? As Oliver Twist is lured into Fagins lair and is taught to pick pockets without knowing what he is doing so is Star initially. At the point where she understands the rules and laws of the group, she is involved in such a way that she accepts the game and takes some very big risks and further compromises her own moral values. The force of the movie is the depiction of the life on the road, the interaction between our marginalized young people and slowly getting to know our protagonist, who in the beginning is the silent observer and little by little starts to unfold her personality. I can see that the movie is being criticized for being very long and not having a story that develops from a start- to an endpoint. I agree that some of the scenes are prolonged to a point that seems unnecessary. Besides this I think that this movie is a perfect example of how the truth often lies in the detail. This means that we need to dwell in some of the scenes and that the artistic challenge is to let this happen in a way that gets the audience involved. Again I must express my deepest respect for director Andrea Arnold who has the rare ability to show a milieu in such a convincing way that it at certain points seems as if you are not watching a movie but instead a documentary but without losing the storytelling. Regards Simon Ps. When you read reviews that gives max score check to see if the user has made more than one review. If not consider the possibility of a lobbyist. If you agree consider putting this post scriptum at the bottom at your own reviews.

If you enjoy movies that have some interesting visuals but lack any substance in storytelling, this is the movie for you. Watching this garbage, I couldn't help but think that somehow Shia Leboeuf and his nonsensical artistic views played some role in the direction in which this was made. Frustratingly repetitive. Obnoxiously boring. Two hours and forty three minutes proving that current youth culture is composed of morons. Possibly the worst watch I've had in five years.

source: American Honey