source: Assignment K

You expect a spy film to start with a bang,this starts with a whimper. Nothing happens for half an hour, when someone is killed. However both before and after the film concentrates interminable on the romance between Boyd and Sparv. Boyd is amiable enough but he is no Connery. This is one of the poorer attempts to ride on the coattails of the Bond films.

An almost decent production after the James Bond model. Stephen Boyd has not the strength and the charm of Sean Connery or Roger Moore, Timothy Dalton or Pierce Brosnan, he is in the category of George Lazenby, a slightly better than the latter. The story is in the Bond spirit, but much simpler and more predictable. The other actors are somewhat OK. Robert Hoffmann and Jeremy Kemp have small roles. Leo McKern and Michael Redgrave stand out. And the Scandinavian "beauty" named Camilla Sparv is better at marrying very rich and influential men in the world of film than in acting.

This film essentially involves a man by the name of "Philip Scott" (Stephen Boyd) using his position as an executive at a toy company as a cover for operating his own independent spy organization to help the British Secret Service in Europe. In this particular case he has been tasked to retrieve some microfilm from sources behind the Iron Curtain which detail Soviet missile technology. To that effect, this requires him to travel to both West Germany and Austria and while there he becomes attracted to a beautiful Swedish woman by the name of "Antonia 'Toni' Peters" (Camila Sparv) and while getting better acquainted with her also uses their relationship to further conceal his clandestine activities. What he doesn't know, however, is that another secret organization has developed suspicions about him and are following his every move with the hope of turning the tables on him to their own advantage as well. Now rather than reveal any more I will just say that this was a rather dull and mundane spy film which seemed to focus too heavily upon quite normal and routine activities. Admittedly, both Stephen Boyd and Camila Sparv performed their roles in a solid manner but the overall lack of action and suspense was much too noticeable and for that reason I have rated this film accordingly. Average.

Long time since I saw this but remember liking it. I don't think it is out on dvd. Certainly it is never on tv anymore. I try not to be nostalgic but in the 1970s and 1980s broadcast tv in the UK showed lots of films and I sat and watched them. There is a British cable channel that shows old films,and I love it but it hows mostly British films,where are the old Hollywood films? Anyway I am a spy/war/crime film fan so dvd companies get this one out there.

It has zippy music, attractive locations and Camilla Sparv as an affable boytoy, but that world is not enough. Hits all the action man buttons of the 60s, race car driver, MI6, spy, playboy, and on. But he's not Bond and not Harry Palmer, and therein lies the problem. Stephen Boyd miscast so the tone of the movie was not dark enough to sustain strong interest. The ending was good as she plays both Scott and Harris off each other and gets both of them, and her cohorts, out of the spy game. A better script would have concealed then revealed complex betrayals and alliances and, perhaps, who Sparv really worked for and to what purpose. Forty or so years later Casino Royale got it right.

Some loving close-ups of Camilla Sparv's exquisite face, and location filming on the German Alps (in the first half) and London (in the second) are the main assets of this overly meandering, often tedious spy thriller. Genre devotees will probably enjoy the old-school spy gimmicks (microfilms hidden under plasters, messages written with invisible ink, etc.), but the film bogs down too much with the Boyd-Sparv romance, and the story seems to start after the first 30 minutes. It ends with two big plot twists, but these seem to be added just for the sake of a downbeat conclusion. Leo McKern, as the nominal villain of the story, gives the most memorable performance. ** out of 4.

Stephen Boyd made several films during the mid-to late 60's, which all seem to have "slick" plots in which he portrays a wealthy, sophisticated, cosmopolitan character sporting perfectly coiffed hair. Neither the hairstyle nor the roles seemed to suit him well, and I'll bet he was vastly relieved to switch to westerns like Shalako and The Man Called Noon in the '70's. Assignment K, however, is probably the best of the "smooth hair" movies. He's a international spy in this one and a lot of the action takes place in a ski resort so the scenery is beautiful and wintry. He and Camilla Sparv play well together and, best of all for Stephen Boyd fans like me, he is on-screen throughout the entire film, no cameos here - a major plus for this movie. Leo McKern, another wonderful character actor, turns up once again as the bad guy. (Remember him as the irascible, but lovable Captain Brandt in Lisa?) Assignment K is fairly fast-paced and somewhat exciting, especially if you enjoy a little romance with your espionage. And the ending will surprise you!

The main problem with this slow-moving spy film is that it can't make up its mind whether to aim for the world of James Bond or Michael Caine's Harry Palmer movies. Stephen Boyd's spy, a relaxed genial man-about-town figure in the style of Roger Moore and his immediate associate, a rather shabby civil servant operating from an empty office, played by Michael Redgrave, seem to belong in two separate films. And 'Q' would certainly look down his nose at the home-made bomb his counterpart, played by Geoffrey Bayldon, comes up with here. The usually reliable Val Guest has to take most of the blame, both for the uneven direction and contribution to a script that has pretensions to being taken seriously at times, but is nowhere strong enough to be. As he had just been worked into the ground shaping, with some success, the chaos that was CASINO ROYALE, he was probably a little jaded with the genre. He also wastes excellent character actors Jeremy Kemp and Leo McKern, though the latter does make an impression against the odds. The revelations at the finale lack any impact. In fact a much bleaker ending had been filmed, with Camilla Sparv's Toni being thrown into the river and drowned, her stunt-double being none other than the future star of saucy seventies' comedies, Sue Longhurst. I quite enjoyed the 1960's ambiance, including the relationship between Boyd and the alluring Sparv, set against the glamorous background of Kitzbuhel ski resort. Much of it is quite engaging, but ultimately neither exciting nor memorable.

Quick paced film, good interplay between Camila Sparv and Stephen Boyd. Nice location especially the scenes at the Ski resort and the "search for the blue wine". Not too overhanded with the espionage...always one of my favorites, back to when I first saw it on a double bill(remember those) with King Kong Escapes. The theme song was always memorable...jazzy and you almost expected Sparv and Boyd to hook up at the end, but it was not to be. Would like to see the film on video tape.