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source: Behind the Wall

This film is more of a thriller than an horror film, in my humble opinion. It is only horror in the fact that the dead is going around killing everyone he found in sight. But as far as horror film goes, this film didn't fall in the category. This film is slow, predictable (except for the ending in which the audience found out that there really was ghost), and a lot of talking. This film is about two property developers who wanted to develop a suburban in which the haunted firehouse is located. And of a lady who received a letter asking her to come and join the discussion in the town council. Things develop and they found themselves entwined in a 'mystery' and they have to act in order to 'survive'. No climax whatsoever, but this film does deliver in giving shills to the audience in some of the moments. And the soundtrack give good feel to the development of the story. A score of 3 for this film.

When telling a story, the focus of the plot should never shift from one genre to another. For example, a romance should never morph into a mystery. A whodunit should never morph into a tale of the supernatural. A comedy should never depict an incidence of death or maiming so intense that the audience perceives it to be real. To shift from one genre to another in mid-story jars the audience, causes confusion, and shakes them from their temporary reverie. They are transported back to the real world and the story dies because they can no longer participate in the fictional construct. "Behind the Wall" is an unsatisfying story because if violates this fundamental tenet. It begins as a horror tale (bloody death of the wife/mother by an unknown force) and a warning not to venture into the basement, then morphs into a ghost story (death was the act of a ghost as opposed to a living monster, human or otherwise), morphs again into the totally unreal (characters go missing, dead bodies appear and disappear - something beyond the ability of even a ghost), then transitions yet again into the tale of an unsettled ghost that can only be pacified by the death of his living betrayer. To further weaken the plot, a priest gives a dire warning but offers zero rationale, and a budding romance is introduced which changes our focus from horror/ghost story to "will boy and girl get together?". No movie can survive this uneven level of fictional reality regardless of its production quality or acting talent. The actors in "Behind the Wall" are believable. The story is not.

I'm going to make this review as short as possible. It's bland. And that's really all you need to know. Not scary, not really very suspenseful, and certainly not gripping. I found myself far more interested in my telephone than with this movie. The video quality was fine, the acting was decent... it just wasn't particularly interesting. If this had been a made-for-TV movie, people would be turning the channels. It's not even so bad it';s good, it's just... well... blah. This is as vanilla as it gets. I'd like to say something nice about the film, but I just can't. My friend thought the lead actress was cute... but I don't even agree with that. So, um, I got nothing.

I always give films a chance and as such watched this to the bitter end. Where to start..... Made for TV has become known to mean a film that may not be of the quality Hollywood demands. I would say this was "made for betamax"! Acting: Poor to awful Plot: Could have been handled better Production: Non existent Music: From an episode of some cancelled 70's drama What more to say..... I want 1 hour and 29 minutes of my life back!! Really, even if you are bored out your mind watching paint dry would be far more enriching to your life.

Katelyn Parks returns to the sleepy town that she had lived in the past to attend a town meeting over the fate of the lighthouse her family had owned for years after a letter invited her there. But she discovers that the letter inviting her was forged. The lighthouse hasn't been occupied since 1987 when her mother was killed by a mysterious presence that her father took the blame for. She visits the lighthouse to collect her old belongings but is warned by the deputy mayor & his developers not to cause any trouble since the lighthouse is due for a restoration as part of an ambitious plan to redevelop the site for a large golf park & ski field. She doesn't want the development to go ahead & joins the local priest in condemning it. But they don't have to cause any trouble themselves – a pair of workers accidentally open a locked door in the basement, releasing a ghost that had been after the Parks family for years & who the priest knew personally & is hiding a secret over it. The ghost proceeds to pick off the workers on the site. Behind the Wall is a 2007 B-grader ghost story that was made in Canada during the country's boom in cheap genre works at the time. The film can be considered a sort of knock-off of the John Carpenter classic The Fog but with the story confined to a lighthouse & given the format of a slasher film. The film is a pretty average ghost story, nothing more. The story is economical & has very little in the way of innovation for the genre at all. But it is still pretty reasonable for the horror genre & the story is still interesting although the rationale for the ghost's haunting & some of the characters' motivations are a little contrived. Lindy Booth & James Thomas do a passable job of the lead characters & Lawrence Dane is suitably grim as the old priest who has a guilty secret relating to the ghost haunting the lighthouse.