Seriously, why do people write reviews just to spoil the whole movie? I thought the movie was the standard done to death "Strangers On A Train" which I have actually seen and recommend. It is the original after all. This one has women for the central characters and a love triangle of sorts thrown in for good measure. Good eventually triumphs over evil and everyone does get what's coming to them, but who gets what and who gets who, you have watch to see. Unless of course you read all the various spoiler reviews. I thought it was worth watching because it was different and I'm sick to death of predictable movies.

I had high hopes after the first third, a mean girl getting what she deserves and then the one who she wronged acts dumb and especially talking to a nosey cop who as a law student should know not to talk to them without an attorney. I feel bad for Alex though because Sara is a typical goody that was ruined but Alex helped in many ways. The ending is way too typical and annoying.

Sara studies law at some fancy school but is there on a scholarship. She works as a bartender at night. A guy in class is into her and she's into him but his girlfriend, Brooke, is the rich powerful and influential girl in class. One night a girl named Alex shows up at the bar. She's into girls and makes it immediately clear to Sara. She's also rich, wild, spoiled, bored-with-everything. When Sara's shift is over, she agrees to drive the drunk Alex home. They make out a bit and later go to a party. It's some opening of a photographer's exhibition. Brooke is also there. And it turns out the photographer is Jaime who is Alex's step-mom. When her mom died, her step-dad hooked up with one of Alex's friends- Jaime. Alex and Sara become closer. We learn about their past. Both of their mothers died. Alex's step-dad got all her mom's money. And while Alex doesn't have anything to worry about she hates him and Jamie. She confesses she would like Jaime out of the picture. And she offers to remove Sara's problem. Sara's problem is Brooke. Brooke noticed that Sara's into her guy so she had her fired, kicked out of her apartment and her scholarship taken away. Sara doesn't take Alex's offer seriously. Next night, Alex actually kills Brooke and plants evidence that implicates Sara. Sara now is closer to the guy, Eric. Sara sees no way out and agrees to kill Jaime. When she gets there she finds Alex's step-dad stabbed and the cops arrive to find her in the middle of a scene setup to make her look guilty. The cops were already interested in Sara after Brooke died. What follows is a series of surprises and twists which I won't reveal, as well as plans to make things right. Obviously at stake is all the money that Alex stands to get from her dead mother. When you think about things carefully, I suspect that the story doesn't work entirely. So much had to be planned and work perfectly, it's highly unlikely. Breaking the Girls is basically a somewhat more lesbian and less explicit version of Wild Things. The story is intriguing despite the plot holes; the movie is well directed and looks good. I would probably have hired someone other than Madeline Zima, but still, seeing the various girls make out is fun.

Starting the movie, I was already kinda bored and was just looking for something interesting on Netflix. I paid attention in the beginning since there was "ICEMAN" from X Men and that chick from Blood and Chocolate BUT it lost me eventually and I ended up just fast forwarding through the whole thing. But i gotta compliment the twist ending. I was surprise by it ,so i went back to rewatch it and try understand how the pieces fit together. BUT i still don't understand what their mother had to do with it. Was that even explained?? In conclusion, the movie wasn't that great. I rated it a 5 because i didn't want to be mean but it should probably be lower.

Sara is a student and works as a bartender. One night she meets Alex a nice girl and she is too drunk to be able to go home alone so Sara offers to drive her. Arrived at home between the two a romance is born and then intervenes Eric, a schoolmate that Sara likes him. The three have fun at Alex's house in one evening then invites Eric to leave because they feel better without his company. They try to know each other better and thereby finds that both are orphans. Alex has a stepparent and take them by surprise one evening when the two are found kissing on the trampoline. Alex has a much better situation then Sarah, she has her own car and a fancy house that has remained as legacy, a half is her and can be visited on weekends. Sara loses her job after being accused by a colleague Brooke and because of her loses and the place where she lives. Alex tells her that she is unsatisfied by Nina the wife of her stepfather and would be better if he would disappear from the landscape and reminds her that she is in a similar situation with Brooke and if the two would die, their problems would solve. Sara of course do not believe she meant seriously but it turns out that she wasn't joking and she kills Brooke but put the murder in Sara's hands. Now she is the one who has to do the same to keep her part of the agreement and for retaliation. But this will not be so easy and will go through a lot to be able to make excuses for the police and make them believe that she is not the murderer. It is a very fast film with a lot of lesbianism frequent sequences the shift from relationships between girl-girl and boy-girl, of course it has flaws when the police comes to Alex's home to ask Sara about what she did the night when the murder took place, before she leave, tells her if she has a clue that might help her in the investigation, to give her a call but the policewoman doesn't let a card or a phone number and Sara could not have known her number. Then you do not go with a girl you just met that night and you do not get in her car, find other options such as to call her a cab. Not the best movie but it reminded me somehow of Wild Things and Cruel Intentions.

So this is a major spoiler but given the chronological sequence of events, it all makes sense (as opposed to some who think not). Chronologically, it resembles Now You See Me more than Wild Things. Man dates rich women, possibly killing them for the money. Man killed woman with two daughters (D1 and D2), and dragging mother to be buried in front of daughters. Man marries very rich woman. Man kills rich woman in pool. Woman's Daughter (D3) does not inherit money. D1 and D2 plots for revenge (possibly for money but looks more like revenge story). The plot involves D1 getting close to D3 to sub-plot killing D3's step father, Man. D1/D3's plot involve 1. D1 marrying Man 2. getting a woman to be the fall guy for D3's crime when she kills Man. D3 thinks she is approaching vulnerable D2 and sets things in motion, not knowing that she is actually the real fall guy. The rest of the story is how the movie runs from beginning.

There is nothing more satisfying in a movie where there's an unforeseen twist in the tale. It changes your outlook on what occurred before, and befuddles your brain as you try to make sense of the new state of affairs. It may even make you want to watch the film again, to see if this reinterpretation of the material adds to the viewing experience. Breaking The Girls, a really REALLY dumb film attempts three such tasks... and fails miserably with each one. Rather than have you gasping with admiration for how the director manages the process, here you'll be shaking your head with disbelief as how desperate he is to put some pseudo intellectualism onto this mess. Sorry, dude. No matter how much whipped cream you add... a turd is still a turd. This is, after all, a film that believes a girl who's been straight all her life can become a lesbian overnight because of a bad break-up and losing her job. I don't think it quite works like that. As for the whole 'swap murders' plot as first introduced in that Hitchcock classic Strangers On A Train, here you'd THINK it would perform the function of being the main plot... but NOPE. Instead we are 'treated' to an alphabet soup of boring conversations, scenes that go nowhere and people doing something smart one minute, and incredibly dumb the next. ALL the focus seems to be on these stupid twists... Which don't work, and lead to more questions than answers. And besides, seeing as how we have zero emotional investment in these bland, no-dimensional characters, what difference would they make, anyway? 4/10

Maybe I'm biased because I'm a lesbian and the girls are really pretty, but!!!... that aside, this film deserves a much higher rating than it has been given. This is one of those movies where at times you think you know exactly where it's going and then all of a sudden everything changes and you have to keep guessing. You don't "love" the characters in this one, it's not the point. Part of the thrill is seeing how unexpectedly messed up people end up being. Sure, there were parts where things didn't quite add up or when it was really unclear what the characters' motives were, but that's the whole mystery (and the point of the movie). Overall, I was quite entertained for the duration of the film. I realize that this one is likely to be a "love it" or "hate it" film, but given my taste, I loved it.

This is one solid mess of bad over acting, and a terribly written story that seems to have been directed over Skype. Fill the screen with beautiful women and hope that that will be distracting enough to not notice that you did not prepare anything before the actors arrived on set. Madeline Zima just looks evil, and that makes things that much more transparent. The camera work is all way to close up, and claustrophobic, and the post is nonexistent, this whole thing looks like it was shot on a low quality HD camera. I did not Enjoy this movie at all, and will not in any form recommend it. IF you want to see Madeline Zima just watch old episodes of Californication.

In the mood for a film like "Wild Things" but lacking everything that made that aforementioned movie such a watchable (albeit guilty) pleasure? Well I have got a movie just up your ally. This film while marginally capably acted, never seems to be able to escape the mediocrity that it's mired in thanks to a clunky script, easily foreseen plot-twists and a general by-the-books mind-set that'll more llkely leave the viewer with a case of deja-vu as opposed to actually being entertained. The movie did have potential, but sadly I don't grade on potential but rather the finished product, which in this case simply doesn't pass muster.