source: Caravaggio

Trailer—Caravaggio

Caravaggio

I went to see this film last night at the National Film Theatre in London, as a birthday treat. It was the the first time I've seen it, and I think it has now overtaken the dreadful "Twister" as the worst film I have ever seen. Disjointed for no reason, self indulgent and full of imagery that oscillates from the crass and obvious to the obscure and unintelligible, not particularly beautifully or grimily shot, I really don't understand why this is considered classic, gay or otherwise. I normally enjoy films that push boundaries or even films that are hard to watch because of their length or unusual cinematography. But this was truly, truly awful.

I found this film completely and utterly incomprehensible. I knew some of he facts about Caravagggio, but here they were twisted and puzzling. The images were weirdly interesting but I was looking more for a biographical and/or critical accounting of Caravaggio's life and works, not an LSD type drug trip. The dialogue was very confusing and jumping back and forth in time via the use of trains, calculators, typewriters and cigarettes was extremely distracting. Had it been labelled an "artsy film" I wouldn't have purchased the DVD; now I have a DVD that I'll never watch again and who would buy it? I prefer mainstream films not those that require translation or elucidation. Thumbs down on this one for me!

What we know of the life of Caravaggio is unfortunately incredibly limited. The narrative of this film does not really reflect that limited knowledge. From the disjunctive remains of one of the most important figures of all western art A narrative has been formed. The merits of this narrative are debatable and ultimately unimportant. The overwhelming strength of this film lies in the superb cinematography and the incorporation of Caravaggio's artwork into the film. Light emanates from an off screen point, bathing the shot in chiaruscuro lighting that was so signature of his work. The color of the film could be taken from his palate directly. Best of all was when his paintings were played out by the actors. The result is no less than a visually stunning presentation.

This film tells the life story of the 17th-century painter, Caravaggio, from his adolescence to his death. I find "Caravaggio" not very easy to follow, because characters are not introduced by name; and it also does not help when Caravaggio is played by three different actors! There is little dialog in the film, as many messages are conveyed in the unsaid. This also adds to the difficulty in understanding the plot. It also tries to push boundaries by having obvious anachronisms. I find myself stopping to think whether these objects exist in those days, which adds to me being more lost. Though I did not particularly enjoyed "Caravaggio", I will give Derek Jarman's films another go though.

This is not an historic document but instead a more impressionist portrait of the great but troubled artist who is attributed as being a formative part of the baroque movement. Jarman was restricted by a very tight budget, having understood for almost a decade that it was going to be a big budget made available. Needs must and against all the odds he has fashioned a vivid and colourful picture of the painter including the creation of remarkable tableaux of model that seem to perfectly mirror the finished paintings we know. Dexter Fletcher plays the young version of the painter and a mesmerising performance it is too. He would make many more films, if not all as prestigious, before moving into directing with Rocketman his latest. Tilda Swinton makes her feature film debut here and she too excels before, of course, moving on to very much more. So, Jarman has to make do with a warehouse in Limehouse instead of the streets of Italy but surely couldn't have done a better job.

This beautiful visionary art film based on the director's take of the life of Caravaggio was worth the almost 7 years it took to make it. Derek Jarman had the brilliant sense to use Nigel Terry and Sean Bean as the lovers in this meditation on sexuality, criminality and art. This film is more of a fictionalization on Caravaggio using the artist's works as a way to pursue the story of the artist. It is beautiful, as are the actors and actresses, and Sean Bean is a revelation in this very early role, as he plays Ranucio, the love interest of Caravaggio. When he is on screen he steals the movie, as his animal magnetism, sexual energy, and wild persona grip the film and propel the story forward. This is an adult film with homosexual themes and might not be for everyone, but if one is adult and has a sense of taste, and loves art movies, this is a 10 out of 10.