I watched this movie recently mainly because I am a Huge fan of Jodie Foster's. I saw this movie was made right between her 2 Oscar award winning performances, so my expectations were fairly high. Unfortunately, I thought the movie was terrible and I'm still left wondering how she was ever persuaded to make this movie. The script is really weak. The story itself may have been somewhat believable if someone like Mel Gibson had played the role of the hit-man. The idea of Jodie running off with Dennis Hopper and his irritating accent was impossible for me to buy into. I did think that Jodie looked great throughout the movie, which was probably the only reason I watched the entire thing. Maybe parading Jodie around with as few clothes on as possible was the only reason the movie was made. I saw a TV biography of Jodie where basically all of her movies were commented on in chronological order, and this movie was the only one never mentioned. After seeing it, I can now see why.

Alan Smithee (i.e. the late Dennis Hopper) must have been walking with a permanent limp after firing this particular bullet into his foot. The quality of shooting was mediocre at best, the dialogue was poor and heavily clichéd. The acting was like watching a group of people, some of them olympic class swimmers, trying to tread water with a sinking battleship tied to their feet. Joe Pesci and Charlie Sheen are missing from the credits, perhaps because they insisted on it. John Turturro has since, thankfully, shown great skill (Quiz Show) but in this he must have been sleepwalking. Jodie Foster was ever pleasant to look at but even her talent couldn't bring the stillborn dialogue and maimed story to life. Hopper's ludicrous accent was at least funny. Vincent Price sat under a fancy hat and greatcoat in a stretch limo and looked suitably glum. Stockholm syndrome could not account for Anne's (Foster) sudden change of heart toward her captor. Empathy may develop but most people don't feel moved enough by it to start looking for the bedroom. A professional hit-man would never allow him/herself to fall in love with a target, unless they were already thinking of getting out of the game though perhaps that was the point. The final section of the movie, the escape from the mob in a helicopter had me looking at my watch but to be honest I'd been doing that from about ten minutes in. If you find any of it believable there may be a brat of a movielet somewhere within but this version was worthy of going straight to Betamax and thence to the bin. I'm wondering if qaaludes were involved somewhere. For example Easy Rider was not great because of what it was but because of what it represented and how it resonated with counterculture people at the time. Mr. Hopper probably lived a lot from the fat of that. His best role remains as the photojournalist in Apocalypse Now and that was because he wasn't really acting; everybody was stoned.

As I said, Hopper plus Foster = great chemistry. These two make a great movie out of a plot that is absolutelu unbelievable. What hit man falls in love with his hit sight unseen? What hit falls in love with her hit man after a one night stand? What hit man has a helicopter set aside for just the right escape? What mafia boss has ten or more hit men who can't hit a one man target? You see, this is a plot that no one could believe in. But, no one cares, because you are so involved in the evolution of the relationship between the Hopper & Foster characters that you overlook or forgive everything else. These two are so powerful that they make Fred Ward look like a character actor. This is a violent movie where the violence never seems to override the comedy/relationship/slice of life issues that the film portrays. Plus, you get to see Jodie Foster naked!?! Who would have thunk it? By the way, she has a very nice body. I don't know how this movie has not become a cult favorite, but give it time. It is a gem! PS Don't overlook a dynamite performance by Joe Pesci, who is not listed in the cast. Go figure.

Word on the (imdb) street is that director Dennis Hopper was so p*ssed with studio interference that he asked for his name to be removed from the credits. Apparently he submitted and initial cut that ran over three hours and was then distraught when it was deemed too long and culled to a lean 90 minutes. As a viewer I can only pass judgment based upon what I see, and I can sympathise with both parties. For one I cannot fathom sitting through another 90 minutes of this eye-vomit, but on the other hand it seems that an absolutely insane editing decision renders the viewing experience incomprehensible. The upshot of that is as always no-one wins. Consider this: Anne (Jodie Foster) is an avant-garde artiste who witnesses a murder within approximately 27 seconds of entering a 'bad neighbourhood'. This moment of incredibly inopportune timing puts both mob and the FBI on her trail after she refuses to testify and shoots through to pursue a lifetime on the run in disguise. Dennis Hopper plays Milo, the elite hit-man hired by the mob to eliminate Anne and put an end to this nonsense, only Milo is apparently entranced by Anne's artwork and almost instantly changes from a cold blooded hit-man into a creepy stalker-rapist. Now. While all this is indeed mostly reprehensible it is not yet implausible. But wait there's more… (I would ordinarily warn of Spoilers to a 20 year old film here, but they are blabbed all over the back of the DVD cover so I don't feel so bad.) After Milo kidnaps Anne, threatens her life, forces her to don sexy (a word that should never appear in the same sentence as Jodie Foster) lingerie and rapes her – her words – we cut abruptly to a scene apparently only a short while later where they are both very much in genuine love. Wait. What the *? Anyway the rest of this god-awful mess exists if you care to find it. I wouldn't suggest it. Repeatedly punch yourself in the groin instead, it's more fun and burns more calories. Unfortunately for me I didn't take that option and was still sitting glassy eyed when the credits rolled… The only other thing worth mentioning is that this stain of a film actually boasts a top-notch cast of actors punching well below their weight; Fred Ward, Joe Pesci, John Turturro, Dean Stockwell, Catherine Keener and Charlie Sheen all wasted parts of their lives appearing in it. As for the 'headliners' Jodie Foster was always miscast in a role that demanded 'sexy', and Dennis Hopper over-acts to sh*t in this film. If that isn't enough he adopts a ridiculous and annoying accent. Not being an American I have no idea if the accent is authentic or not and frankly I don't care, all I will say is that if it is legit perhaps it is advisable to simply not have characters from that particular region in film from this point on. Like this film there are things that don't need to exist. Final Rating – 3.5 / 10. If I was Dennis Hopper and had to live with the realisation that I was even partially responsible for Back-Track / Catch-Fire / Cinematic-Turd I wouldn't seek to remove the name Dennis Hopper from the film, I would seek to remove myself from Dennis Hopper.

If that's what you want, you want this movie-- she bares it not once but twice. Or if Bob Dylan wielding a chainsaw is your bag... The script is clichéd and inept, the directing choppy, the excellent cast largely wasted. At least they look like they had fun making it. If it was better written/directed, the basic premise of the abductee falling for the abductor might be more believable. Jodie spends most of her time looking worried, until she suddenly mutates into passionate lover/co-conspirator. Joe Pesci managed to have his name completely scrubbed from the film and the packaging, although his part is not minor. Blink and you'll miss Catherine Keener, apparently in her first credited role. Somebody should put the soundtrack's sax player out of our misery.

Splendid, offbeat film that blurs the line between the refined arty types (Foster's Anne Benton), and lowlifes (Hopper, Pesci). Exceptional cinematography and editing, plus a neat script, make this film appear to be a template for Tarantino, as we sort of define the term "opposites attract" with this film! Hopper, Pesci, Price, and Turturro all give terrific performances, but Foster steals the flick in an extremely uncharacteristic performance. Made around the time of The Accused, this is Foster at her unrestrained, corset-less best. This is Foster as truly one of the hottest, sexiest women in Hollywood. She seriously could have had a career as a sex kitten (Hard to believe I know, but watch Backtrack, whoo!), but after The Silence of the Lambs, she never really returned to this turf. It's sad, because her wonderfully loopy, sexy performance, is glorious... one of her best.

One of Dennis Hopper's finest movies! Also one of Jodie Foster's finest. The supporting cast has some of Hollywood's best in it. If not already, this film will become a movie cult classic! There are scenes in this movie that my wife and I always reference and talk about with friends when discussing favorites. I am surprised to see that the movie has another name (Catchfire). I am also surprised to see that the movie was edited again and some actors took their names off of the credits. I will purchase the DVD just so that I can remember Mr. Hopper's great skill at acting and directing. Also to remember how pretty Jodie Foster was. This movie is worth seeing at least once.

An artist (Foster) witnesses a Mafia hit and calls the police. At the police station she realizes that the Mafia has a man in the force, so she runs. Trailed by the police, who need her testimony, and a hit-man (Hopper) hired by the Mafia, she goes to Mexico, where eventually she meets the hit man, who has become infatuated after studying her art and life to prepare for the hit. Cast of characters in walk ons can't save this horribly flawed film. Jody Foster is way too muscular to be parading around half naked through much of the movie and she isn't really good at acting scared either. And I never thought Hopper was a good actor. He's dismal in this one, pretending to be a killer by putting on a fake accent. It's directed well and very arty, but the story is so poorly written not one scene is believable.

With huge screen personas such as Dennis Hopper and Jodie Foster it really makes this film fun to watch. The dialogue works with these actors as it would usually with any actor you like. The story progresses in a way that suits me down to the ground, in that there are no scenes that I dislike and it's always on the move. The idea of a hitman giving his prospective hit a choice of death or come with me with on a provisional basis is a good one. The cinematography is nice also with some shots of the American mid-west (I suspect). The supporting actors are a refreshing bunch as well including Vincent Price (nice to see him away from all those creepy horror movies of the 50s and 60s)and Dean Stockwell, who is a very likable and I think an underrated actor (may be best known in Quantum Leap as Al). Not to give the ending away but I never guessed it was coming and it is very satisfying. This film is worth a 9.

WOW, I'd hate to sound opinionated, but anyone that rated this movie any higher than I just have must have an I.Q. that reaches unimaginably low depths which reach out beyond time and space and connect at planet "Hopper-is-a-retard-for-making-this-movie". WOW this movie STANK. Fred Ward's haircut looks SSSSSSSTTTTTTTTTTUUUUUUUUUUUUUUUUUUPPPPPIIIDDD! I actually considered mailing Fred Ward some money in compensation for that miserable haircut he owned in this awful film. Jodie Foster, of course didn't have much to work with but still manages a terrible performance throughout. Joe Pesci, oh my...Joe Pesci (who mysteriously is not cast) plays THE ULTIMATE stereotypical Joe Pesci movie character, complete with mob killing and constant use of the F word. You won't believe your eyes. Dean Stockwell, watching him in this mess made me feel bad for him because I actually thought he was either intoxicated or temporarily retarded throughout the course of the film. Jon Turturro must have been intoxicated himself when he agreed to be in this, along with Vincent Price, Bob Dylan, and Charlie Sheen. I know what you're thinking, GREAT CAST! I know, and it was the WORST great cast film I've ever seen. Dennis Hopper directs and stars, and does equally bad in both areas. How the man could have directed EASY RIDER and then this is FAR beyond my excellent imagination. His OUTRAGEOUSLY bad hit-man character accent is beyond the realms of horrendous, and only is equaled by the hilariously bad ending. They (Hopper and Foster) are the most uninteresting couple I believe that I have ever come across in my exposure to the world of cinema, and you will be cheering for them to lose and then be grandly maddened by the ending. What exactly are the two of them WEARING at that action filled conclusion? I don't know, but I do know that if I ever meet Dennis Hopper, I will make immensely make fun of him for being responsible for this waste of celluloid. Join me! IAN