source: Conrack

John Voight plays the title character in this movie based on author Pat Conroy's (Prince of Tides) autobiography. A fine teacher film, it tells the story of a naive Pat Conroy, a young English teacher whose first assignment is in an elementary school on a rural island. The only white man on the island, he must battle internal and external pressures as he attempts to instill education and values in children who for generations have been systematically denied such things. A solid performance that really makes you think.

I have to say that I had mixed feelings about this movie. On the positive side, the basic story is very interesting and inspiring - both well told and well acted. It's also a powerful testimony of what can happen when a teacher actually wants to teach, and does so with passion, wit and intelligence. All that was good. Jon Voight was superb as the title character of Pat Conroy (Conrack was what his students called him) - a young schoolteacher sent to an isolated island off the coast of South Carolina to teach a class of black and mostly illiterate students, and who runs into opposition from everyone - the parents, his principal (Madge Sinclair) and the school administrator (Hume Cronyn) - as he tries to do it. In one sense, it's a pretty typical story; one that's been done many, many times. As unoriginal as the story may be, though, it's still well done. Those are the positives. Unfortunately, I also had a bit of a negative gut reaction to this movie. It struck me as paternalistic; the sort of movie one might expect from what you could call the "white liberal establishment" of the early '70's. Basically, a bunch of black kids have to be saved from everybody (including their own parents and that black principal who thinks that "coloured kids" need the feel of "the whip" to learn anything) by a white liberal schoolteacher. Bluntly, it struck me as a bit of a guilt assuager for whites who needed to feel better about themselves in the aftermath of the civil rights battles of the 60's. As for the movie itself, the character of Mad Billy (Paul Winfield) struck me as poorly developed. Aside from popping up in maybe 3 or 4 scenes and offering some comic relief, I wasn't clear what the purpose of his character was. Then, if indeed this was based on a true story, one might have appreciated some information at the end as to what happened to these kids. Were they so inspired by Conroy that they went on to bigger and better things, or did they just sink right back into their old ways when he left. The ending was both ambiguous and unsatisfying. On balance, I liked the movie but was also a bit put off by it at the same time. A strange combination of reactions. 6/10

I wonder if socialist director Martin Ritt is spinning in his grave with the 180 degree political turn made by the star of Conrack, Jon Voight. Voight once noted to be a liberal do gooder. I do not think he has said one nice thing about Barack Obama when he was president or after it. Based on true events in the life of writer Pat Conroy. Voight plays an idealistic teacher from the south who gets a job in Yamacraw, an isolated island off the coast of South Carolina. It is populated by poor black families and the young Conroy is shocked to find that his students know less than zero. They do not even know what country they live in or can even pronounce his name. Hence he title of the film Conrack. Conroy embarks on teaching this kids something rather than be an overseer and prepare them for a life of work, drudgery and poverty. The district superintendent Mr Skeffington (Hume Cronyn) is not impressed by Conroy's methods. The old man is already at odds with the counterculture and anti Vietnam war movement of late 1960s America. The movie is wonderfully shot. It does feature an Oscar bait performance from Voight. It looks freestyling, he even mimics Harpo Marx at one point. Cronyn is no slouch here. In his brief scenes he is a grouch, yet look at his hypocritical smiling face when the kids knock on his door in Halloween. It is a slight and sentimental story. The idealistic school teacher movie is nothing new. It might have helped if the film had made explicit that the inhabitants of this island spoke a form of Creole. This would had explained the difficulties they had in learning English and pronouncing words. Conrack has acquired a reputation as a forgotten gem.

Not a lot of people have seen this one. It's like a lot of other films about teachers in an uphill struggle against apathetic or difficult students. They all seem to be set in inner-city environments, but "Conrack" has a different approach - it takes you down south, out to an isolated island just off the coast of South Carolina. It helps that this is a true story (or as true as a film adapted from a book adapted from real life can be). Martin Ritt was a very good director, known mainly for "Hud", which he did about ten years prior. Jon Voight has never been more charismatic than this, he's like a shining beacon of inspiration throughout the film. You really believe that he believes every word he is saying, and that adds a ton of weight to his character. I really enjoyed Hume Cronyn here, he's somehow mischievous without being friendly, serious and a little bit mean. It's a great characterization. The passion in Voight's sparkling eyes seems to be more than what carries the film. It's a great story, and a fantastic reflection of Pat Conroy's writing. The story is powerful, convincing, and exceptionally inspiring.

Superb story of a dedicated young teacher who sets out teaching minority children in an area off South Carolina. Jon Voight is just tremendous as the headstrong, dedicated, idealistic teacher who faces this challenge despite a principal, who believes in stern discipline and has little regard for modern educational techniques as well as a crusty old school superintendent, played with relish by the late Hume Cronyn. Madge Sinclair is the principal who loves her babies. As I'm a retired teacher, I could in some ways relate to this excellent film. The ignorance shown here as well as the lack of cooperation with officials is also quite apparent in urban areas. Voight realizes that these children need far more than the traditional teachings of a classroom. He has them go out and experience life by themselves by learning outdoors. The end is a definite downer but so true to life. Amazing that such backward students had a zest for learning and were well disciplined. I guess that answers my question. The behavior was there and they were motivated to succeed despite their environment. The ending will just tug at your heart. It was memorable and so well poignant.

I have also watched "Conrack" several times in the past few years and I believe it is the best movie out there about actual classroom teaching. We have "To Sir, With Love", "Blackboard Jungle" and "Mr Holland's Opus", but this film spends most of its time in class with the students. We get to see Conroy struggle with the system, the absence of facilities and resources as well as the initial lack of desire among his charges. How he brings his "babies" out of their shells and creates a learning environment is simply magical. The awkwardness of those first lessons is all too real. This movie is pure teaching! Another realistic education film that comes to mind is "Stand and Deliver." Check out first few minutes of "Conrack" and you'll be hooked. Watch for it on Fox Movie Channel as they often show the letterbox version.

I not only consider this to be the best film that Jon Voight (Midnight Cowboy, Coming Home) has ever done, but a real tribute to teachers. Despite incredible odds, Pat Conroy (Voight) managed to reach a group of students and bring them from nowhere to a basic literacy and awareness of the world. His methods made be criticized by bureaucratic dinosaurs like Mr. Skeffington (Hume Cronyn), but teachers like Conroy will always be winners. Voight really showed that he had a love for teaching and that it was a natural high for him. He didn't overplay the role, and I found him to be totally believable. Voight is Conrack. Besides a love of teaching, we also see another important point in this film. No matter how good you are at your job, if you rock the boat, the bureaucrats will get you.

Pat Conroy's autobiographical book "The Water Is Wide" proves to be something of a Southern "Up The Down Staircase", yet despite the teacher-going-against-the-odds formula, "Conrack" really does move the audience with each little breakthrough and creative flash. These students (uneducated black kids on an island off South Carolina) are actually shown learning, and their collective wide-eyed innocence is remarkably sweet. The one actual actress in the bunch (Tina Andrews, an amazing performer) plays the "tough nut" Conrack has to crack, and once she falls under his charms, it all seems a breeze. But the story is not ready-made for a happy ending, and I wasn't prepared for the quiet simplicity of the finale. It's beautifully done. The script veers off course every now and then, but director Martin Ritt is very smart to always fall back on Jon Voight's solid presence. Scenes such as the one where he drives around in his van venting his frustrations over a loudspeaker don't add up to much, but the whole film is filled with episodes which spark emotion, and the actual ending is their payoff. **1/2 out of ****

all i can say is that each time i see CONRACK, dir. Martin Ritt, DP. John Alonzo, i feel an utmost sense of inspiration and enlightment in what the power of cinema is possible in such a simple film. the motion picture Conrack is set in 1969. It is based on a true story. It is a story about a white man (Jon Voight) who teaches a group of young black children how incredible the world is outside of their little South Carolina island. The story places the job of a teacher as noble cause in changing children's lives. I highly recommend it.