Trailer—H.M. Pulham, Esq.

Both Robert Young and Hedi Lamarr give performances noticeable for their timing and naturalness. Lamarr, who is basically miscast in her role, really shines as an actress. Young is charming and winsome, and holds the film despite Lamarr's beauty. There is also a brief appearance by the very young Ava Gardner in an uncredited walk-on.

Hedy Lamarr gave a good performance here. No over-acting, but subtle and with a contemporary feel. This was a difficult role. Marvin Myles, without having the bitch on wheels histrionics of Bette Davis or Joan Crawford, was a beautiful and independent woman, who not only survived but actually thrived in a 'man's world'. This was a performance was balanced and sensitive. I think if George Cukor or William Wyler had handles the directorial reigns here, the results would could have made this a memorable films. As it is, it good. One has to remember that in 1941, this is still a period piece, and if one looks deep enough, there's a lot here that's worthwhile. Too bad that modern audiences seem to rely on non-stop action, and don't seem to have the attention span that this kind of movie requires. It's a pity than at least half a Valium is required to enjoy the warmth that is presented here.

H.M. Pulham, Esq. was marketed as a comedy about a second chance at love, but I waited the entire running length for the jokes and romance to start. It's actually quite depressing. Robert Young, all grayed up at the start of the movie, gets invited to his twenty-five year class reunion, and he starts down the painful road of memory lane. In flashbacks, we get to see his romance with Hedy Lamaar, his friendship with Van Heflin, and his difficult relationship with his father, Charles Coburn. The other problem, besides the false synopsis, is I'm not sure whether the audience is supposed to think Robert and Hedy were meant to be and should have a second chance at the reunion, or that they weren't very well suited and that Robert made the right choice in marrying Ruth Hussey. The script flips back and forth between the two tones, and the end of the film leaves only confusion and dissatisfaction.

Robert Young and Hedy Lamarr are great together in this period piece about a young man bound by his society upbringing and the exciting modern woman who breaks all the molds he has carefully preserved. The dynamic between the pull of family obligation and the inner longing to be free in Young is wonderfully portrayed.

This movie is very thought provoking about how life is or how it could have been. It helped me appreciate life, the good and the bad, most of everyday life is actually quite good especially when we don't dwell on the could haves. It was very nostalgic for me. I especially liked the spontaneity as thats something we like to do as a couple, but we don't see a lot of it these days. The idea of taking a chance was a little scary for me. The romance was soft and touching, very clean. It actually gave me some ideas on how to be more romantic. It was a kick seeing Van Heflin so young and skinny. The movie really was a fantasy, but so close to the truth that it just grabbed me. Being older, the film quality was worn, some of the pan scenes were distorted. That Robert Young smile is contagious, thats how I'll remember this movie in my mind's eye.

Though dealing primarily with an upper-class character, this picture involves decisions and emotional conflicts that everyone can relate to. The bittersweet story reminds us that to a greater or lesser extent we all settle for something less than the life we dreamed of. On the surface, the characters here are happy: they say they are, and they mean it. But beneath that surface are disappointment and longing that they keenly feel when the past is recalled. Better not to think about it, and just go on with the life you have. Hedy Lamarr was a curious choice for this role. It doesn't really suit her, but she handles it better than one might expect.

Hedy Lamarr and Robert Young are well-paired in this movie. She plays the mature independent woman. He plays the good-natured homespun man. The movie is slow and touching, in the genre of movies where modern life conflicts with old and established life. I was reminded of "The Magnificent Ambersons." I agree that this was one of Hedy's best performances, and interestingly another in which her character has a male name (perhaps to balance her beguiling femininity.) In this and a few other movies, her face conveys a variety of emotions, often breaking the placidity of her porcelain beauty. Robert sets the tone of this movie. It would have been very different if another actor had been cast. He was an excellent choice for this role. Passion and prudence clash in this story, and as was often the case in Hays' Hollywood, the result is bittersweet. One of my favorite lines is when Marvin says to Harry on the sled, "Now don't be like Ethan Frome. I want to live."

This muted but affecting version of John P. Marquand's stinging reproach of the turn of the last century's hidebound upper classes, this beautiful MGM production is easily Hedy Lamarr's finest performance. Co-starring the too frequently overlooked Robert Young and the multifaceted Van Heflin (who would win a Best Supporting Oscar that year for Johnny Eager), the film also boasts the usual MGM powerful supporting cast (including Charles Coburn, Ruth Hussy, Bonita Granville and a cameo by the great Anne Revere). Under King Vidor's perceptive direction, this tale of a man's reflection of a life full of stifling tradition becomes a poignant, subtle exploration of lost opportunity. At last given a role of substance, Lamarr is wonderful as an educated working class woman with aspirations, who must watch the man she loves cave in to the expectations of wealth and tradition. A gem of a film; discover it for yourselves.

Previous comments referred to the slow pace of the story, in a way I agree, but we're talking about a different time in the cinema. It was a pleasure to see how the characters were formed and could only attest to the direction of King Vidor. Hedy in her role as a career woman, had the full understanding of the character. Her outstanding beauty ( even in a masculine business suit) are not to be denied. Some people have said she was not a great actress, and indeed she wasn't, but certainly a competent one, and she proved here, given the right roles. As for Robert Young, I thought he was also excellent in the main role, as were all the others. Kudos to all of them for an enjoyable two hours.