source: Playing Mona Lisa

Every so often a really interesting actor comes along which strikes one's attention. Ivan Sergei is a fine example. Sergei's role as Matt Mateo in "The Opposite of Sex" (1998) was a perfect vehicle for this handsome actor, with a 6' 4" frame that can seem almost gawky in its skinny countenance. He perfectly caputured the essence of Christina Ricci's "semi-husband," between affairs with Martin Donavan's and Johnny Galecki's "lovers" in that delicious black comedy. Sergei there offered a wonderfully modulated performance, with excellent comic timing. He could be intelligent or dim-witted, but one thing he's not, and that's insincere. That's why his two-timing Eddie in "Playing Mona Lisa" (2000) is so unconvincing in the later part of the script. Sergei's probably just too helluva nice guy in real life-- and that's just fine, for he can go a long way by just playing himself onscreen. It's up to casting directors to properly utilize Sergei's engratiating personality in the proper roles. Further, in the long run, it really may be to his advantage to keep himself in the second or third "tier" of casting credits. He won't become a "star" or "romantic lead" this way (though he facially looks the part). But he may keep working and stay healthy much longer, while enjoying what he obviously loves to do: act. He has both the looks and the voice to sustain a quite respectable career. In the case of "Playing Mona Lisa," Marni Freedman's scenario from her play is too fragmented to provide Sergei or most of the other cast members with much of a chance to develop well-rounded characterizations. Nor does Matthew Huffman's erratic direction help matters. In the end, the movie becomes rather forgettable, leaving scant impression. It's just nice to see Ivan Sergei in the cast. When you see him listed, you know you're in for some warm moments with a charismatic personality who loves his craft and (very likely) humanity.

I saw this movie a couple years ago when I was a videotape operator working the graveyard shift. I was recently reminded of it when I saw it for sale at the checkout line at the grocery store. Weak storyline, funny situations and interesting characters. The only reason to go out of your way to see this flick is that Brooke Langton looks GREAT in it. She looks better in this film than she looked on Melrose Place! Marlo Thomas and Elliot Gould share a funny scene as a middle-aged couple who accidentally take a hit of LSD. By the way, the screenplay is based on a play titled "Two Goldsteins on Acid". Harvey Firestein is great as a love-sick gay man (not a big stretch for him to get into that character!) and the supporting cast does a very good job. Watch it on a rainy Saturday afternoon and you won't be disappointed.

This is obviously a chick flick and therefore not aimed at me but, even so, I cannot see that this movie serves any point whatsoever. Alicia Witt is charming but that is NOT all that a real film requires. This is a "comedy" created by Hollywood hacks who do not really respect comedy. "Let's have a normal heroine and throw ha ha hilarious eccentric characters all around her." That's not how you create comedy, it's how contemptuous people slough junk off onto us. If you enjoyed this film, you must laugh uproariously when you see people around you fall into mud puddles. I sure wish Hollywood would quit trying to market this sort of thing as comedy and come up with some new term for it. My suggestion would be "lamedy" but I don't suppose they'd go for that. While taking a walk, a little kid in the park said, "Poop," to me. If you find that hilarious, then you'll enjoy this flick.

Claire (Alicia Witt) is having one of those months. A skilled pianist, she has failed to gain acceptance into a major piano competition, causing her sorrow. Her teacher and mentor (Harvey Fierstein) is sympathetic. But, then, in short order, her boyfriend dumps her unceremoniously and an earthquake ruins her San Francisco apartment, making it necessary to move back in with the folks. Ah, the family ties that bind and choke! Mother (Marlo Thomas) is trying her hand at cooking and offering unwelcome advice to her stricken daughter. Claire's father (Elliott Gould) is a having a midlife crisis and her overachieving sister is getting set to marry a stiff-shirt dentist, in coral and bisque, no less. As Claire is seeking to pull herself out of the blues, one bright spot emerges. She meets a good-looking fish merchant (Ivan Sergei). Will her life improve? This is one zany film, with a cast of characters and a script as offbeat as they come. Witt is luminous as the gifted pianist who runs into the year from hell. Thomas and Gould are terrific as the crazy parents and the rest of the cast is very nice, especially the gorgeous and charming Sergei. With some nice costumes, scenery, and photography, the film looks good and the San Francisco setting is lovely. Even so, the script is still the big winner here, being imaginative, humorous, and surprising. If you are drawn to romantic comedies with an off-kilter charm or you get tickled watching families much crazier than your own, find this one fast. You will like what you see.

I never even heard of this film... It just happen to be on last night. All-star cast drenched in good writing, & flooded with comedy! Lots of good points are made throughout the entire movie. Storyline is girl loves boy. Boy dumps girl. Girl must pick up the pieces & move on...? EVERY SINGLE ACTOR in this film will carry you through life's little problems in the most humorous way! (9)

"Playing Mona Lisa" is about the crucial point in your life when you're not any longer sure which direction you're heading. After graduation from music college, Claire, a gifted pianist, slightly loses it when her long-time boyfriend leaves her, her house is damaged in an earthquake and she has to move in with her slightly neurotic parents. The movie, while having many refreshingly comic moments, is also quite serious in its theme, and deals remarkably well with Claire's attempts to get a new grip on her life. The plot-line is not too strong and is drifting along rather than developing; I don't see this as a problem, though, as it pretty much reflects both real life and Claire's lost sense of direction. Even in its darker moments, the movie retains an overall optimistic mood and never turns into a heavy problem movie; if you're looking for quick laughs or lots of action, however, this movie is not for you. Lots of good acting from a great cast of characters. Alicia Witt is thoroughly enjoyable as Claire and guides her character remarkably through good times, bad times and mood swings. Brooke Langton and Johnny Galecki play along nicely as her very likeable friends. Great performances (as usual) from Elliot Gould as Claire's father and Harvey Fierstein as her piano teacher. An overall quiet, but thoroughly enjoyable film which starts slowly and seriously grows on you after a while. 8/10.

While it's tempting to dismiss this as just another chick flick with just another up-and-coming young adult actress, PLAYING MONA LISA is different in a lot of ways. For one thing, the writing is terrific. Characters are well-developed, their relationships are complex and engaging, and just about everyone in the film oozes charm (especially Alicia Witt, who is just terrific). For another thing, the film does not follow the traditional romantic comedy formula and still comes to a satisfying conclusion. And this movie is also DAMN funny. One scene in particular, which involves drug use, is so hilarious. I laughed so hard my dog was giving me funny looks. PLAYING MONA LISA is enjoyable from the first second to the last. Just go rent it already!

1st watched 4/21/2001 - 7 out of 10(Dir-Matthew Huffman): Well-written and played out girl flick that is very similar to the very popular TV series "Ally McBeal" in it's theme. A young girl trying to find her man is part of the movie, but it's also about her competing piano talent and how she shuffles her romantics wants or needs with her God-given talent. At times the movie seems confused about the direction it's going which is really not a problem because in real life we're never sure what direction everything is taking. A wide mixture of varied talents are involved in this picture from young(Alicia Witt) to old(Elliot Gould - who actually does one of his best jobs in a hard role as the mixed-up father. Funny, touching, and leaving us a good message as well in the end.

This movie is fairly campy but Alicia Witt is an engaging jewel that kept me glued to the screen. Other than that, I feel you must need a screwed up family to appreciate the humor involved in many of the scenarios. I know I enjoyed this film...