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i can't believe this movie is a top ten rated movie, I mean the movie is technically boring, no cinematic genuity,no good music and no true villain, if you are trying to watch this movie don't coz you are going to waste your time

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Shichinin no samurai is a quintessential Kurosawa movie, and probably his greatest lagniappe to the world of cinema. Shichinin no samurai is a classic example of a profound character study well complemented by some ingenious direction and breathtaking cinematography. The world of cinema owes a colossal debt to the master movie-maker and plethora of his sui generis works such as this one. The movie depicts penury with sheer brilliance and uncanny resplendence. The inexorable resolve exhibited by the destitute villagers to fight the rapacious bandits can be inspiring even to the most pessimistic. The fidelity shown by the samurai to the villagers, each hired for a bowl of rice, accentuates the very essence of humanity. The movie's slow pace and its poignant background score enriches it with a sense of melancholy, thereby making it truly mesmerizing to watch. The entire cast has performed really well, taking care of the nuances with utmost precision and incredible conviction. Kurosawa's plaintive storytelling, coupled with his subtle brilliance, makes the movie a truly ineffable experience for the viewer. PS. Though not meant for everyone, the movie is sine qua non for cineastes and avid lovers of pristine cinema. It's also a great means to get acquainted with Kurosawa's oeuvre before exploring his more personal works like Rashomon, Ikiru, Ran, etc. http://www.apotpourriofvestiges.com/

It is hard to know exactly where to begin when talking about a film of such utter quality. What must be said at the start is that "The Seven Samurai" is flawless. It's characters are brought to life by some of the finest and most committed acting I have ever seen. It is a compelling story of courage, duty, honor, respect and change. I could echo Roger Ebert's commentary, in which he noted that Kurosawa's film set the standard for the modern action film. It was he notes the first film to assemble a team of hardened men to undertake a mission. But I say read Eberts review if you want to get his take. I have watched the film several times and what is truly amazing about "The Seven Samurai" is the way in which Kurosawa choses to tell his tale, which is, I think, truly innovative and subtle. Growing up on action fare as we have "Seven Samurai" should really hold no magic for us. We have the formula (in many forms) before. Countless times. However it is not old to us and magic it carries. I make the case (now anyway) that this comes largely from Kurosawa's knack, his amazing gift, for photographic composition. Most filmmakers today in the action genre have some flare for flashy cinematography. We get sharp angles, dramatic poses (most favorably lighted), and fast cuts. I guess this is to involve us in the high emotion of the situation. But Kurosawa has patience and while I think he gave the blocking of his shots, and their composition a great deal of thought, it comes across as if he did not. His camera moves as though it were simply following the characters through the story. The camera work in "Seven" is so much more subtle and so much more compelling than almost any action fare today. His camera allows, we the viewer, to be, at various times, all of the major characters in the film. Toshiro Mifune's emotional explosion at his "fellow" Samurai is probably the most obvious example of this. He gets up and at first appears to agree with the Samurai sentiment that killing all of the villagers is a good idea, but when he turns and his anger is directed at them the scene and our place in it change. We are no longer passive viewers watching heated exchange between two factions. The angry Toshiro is yelling at us, looking down at us. For we are looking up at him as his fellow samurai would see him. By the end of his out burst he angrily leaves the room but before he goes he turns slightly to look at us, but we don't see his face, for now we are looking (in one of the great shots of the film) at his feet. The Samurai are ashamed and so are we because we identified with them at first and Kurosawa had the guts to show us that we are wrong to do so. I could go on, and on about his film, but I leave you with this, watch it.

I'm surprised that this film is rated one of the top movies of all time, it's good don't get me wrong but not that good. if you're considering watching it, then buckle up for long boring pointless scenes! it doesn't have artistic cinematography, it doesn't have good music, it doesn't have a villain, it doesn't have outstanding scenes but it does have a decent story and good characters. maybe it was something in the fifties but not these days, Kurusawa is overrated and by the way I watched thousands of movies and I don't see something outstanding in his work. Remember the movie is 3h and 27m It's watchable but not great.

This 1954 Akiro Kuroswa-directed film has legendary status among critics. It was the forerunner for the western hit "The Magnificent Seven." Knowing these facts, I was anxious to see it. Wow, what a letdown! Yes, it had some nice photography but the story was way too slow-moving to sustain interest. It took FOREVER to get to the main action scene. By then, it was too late; I had lost interest. The film runs 160 minutes and can seem longer. So many of these Kurosawa films are overrated by the critics. Maybe it's not politically-correct to criticize this man's work, it's not the "thing to do," so they keep telling everyone what great films like this are, hooking unsuspecting people like me into wasting my time and money on them.. I wanted to like this, but I have to be honest, too. If you thinking of purchasing this, sight-unseen (especially with an expensive Criterion price) , don't say I didn't warn you.