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Toward the end of the movie, one of the main characters says, "Nudity is so boring." That's easy for him to say. He's on that side of the screen. Anything -- nudity, aliens, raindrops against a windowpane -- anything to relieve the boredom and tedious dialog that so many French film makers think is deep and meaningful but which is just annoying. It isn't deep. It isn't meaningful. It's just silly nonsense to endure. What a waste of talent from actors to whom art is everything and yet nothing. Wait. Now they've got me doing it. I'm going to go watch a gangster film.

Sex is Comedy (2002) *** (out of 4) French film from the controversial Catherine Breillat is more a companion piece to her masterpiece Fat Girl than a film on its own. In this film, a director (Anne Parillaud) is having trouble filming a sex scene because her actor (Gregoire Colin) and actress (Roxane Mesquida) can't stand one another. That's pretty much the entire story but the film is so much more than that because it really gives us a behind the scenes look at what goes on during filming such a scene. As with the director's next film Anatomy of Hell, this one here didn't get very good reviews but I was totally captivated by it. I'm not sure what it is but Breillat can make just about anything seem real and interesting. It's clear that this sex scene being shot is her personal experience from the filming of Fat Girl. The sex scene here is the same one from that film and the actress here is also the same one used in that film. The performances by the three leads are all very good but the movie belongs to Parillaud as the director being tortured by her actors. Parillaud really nails the role as the frustrated director willing to do anything to get the scene in the can. I think the film works best if you've seen Fat Girl because you can watch the filming here and know what eventually came from it. It's rather interesting watching this film and seeing what all went into making Fat Girl and more clearly, what it took to pull off the sex scene in question, which is one of the most haunting yet beautiful ones that I've seen. This film certainly isn't about sex and there's no comedy to be found but it is about a director trying to get both out of her actors.

As being selected during the Quinzaine des réalisateurs, this year 2002, Catherine Breillat is masterfully halvedivided of her autobiographical film, there where her lead actress, Anne Parillaud (La Femme NIKITA, Luc Besson), embodies admirably the Film Director of "Intimate Scenes ". This is a comedy of actors' manners. Making-Of ? Film genre ? Pornography or Exhibitionism? Sex Is Comedy is a post modern film, with its script based on a film within the film. As an implosive story of a minimalist love scene, the film is built with a constant solidarity of the forms and the spirit, in which, Breillat keeps on breaking and analyzing the taboos. Using visual codes and certain sense of the formula, Catherine Breillat implement her clinical analysis of the sexuality as an isolated problem outside the society to be communicate by the door of the heart. Therefore, Grégoire Colin (Good Work, Nénette et Boni, Claire Denis, The Dreamlife of Angels, Eric Zonca) in the role of the Actor and Roxanne Mesquida (Fat girl, Catherine Breillat, Marie from the Bay of Angels, Manuel Prada), the Actress, are actors whom she invents, she does clarify in an interview. Breillat observes the man in front of him even, a chaste man. Then Breillat films the shame and the sexual mutilation, but also a big hope, a disturbing dimension of the ecstasy, a nudity of the feelings, the halving of the exhibitionism, playing to be one to be one. The Director is finally expected to lead the actors to give their feelings, their body and their soul. So arranged, facing the problem of the order of "who I am ", the actors of Breillat put on an inorganic vitality to merge in her work in progress. But, for what is a shape of incredible exorcism, for an actor, Breillat puts many questionings. Enduring at the same moment a big suffering, the actors appear to be the ones who look for this loving transport to be part of the eternity of their work. The Art of Breillat is of researcher, to know how to undertake in a dialogue aiming at pushing away the limits of intimate scenes. Join make-up, prosthesis in erection and syndicates are not without reminding what pictures and scenes of Jan Steen's and Rembrandt could be in the anecdotal and the daily of characters on a shooting set. While the moral categories disappear from the background of Sex Is Comedy, Breillat succeeds in revealing the loving imitation power of the actors in a landscape of formidable and dramatic humanity.

According to Catherine Breillat many people believe that by watching "making of" they can understand the intricacies of the actual shooting process. She opines that this is not quite the case and the real process of filming a feature film is unfortunately very complex,hard to follow and difficult to understand. She goes on to add that rather than simplifying the creative process these programs end up confusing the viewers. Keeping this particular idea in mind, she has filmed a unique,trend setting film which relies heavily on the whims and fancies of its principal characters. One can have a first hand experience of how difficult things are on a set when a film is being shot. Compared to other films by Catherine Breillat,sex is comedy is devoid of controversial elements. As a film director in this film Anne Parillaud looks a bit similar to Catherine Breillat.Gregoire Colin is fine too as the moody actor. As a final comment, I would like to remark that this film is very serene and an inattentive viewer might not know how quickly the film is getting over.

Catherine Brreillat is a French director who loves to provoke her audience. She takes us along to witness how a film is done on location. The movie in production seems to be based on herself, since the person at the center of the story is Jeanne, a woman director, much like Ms. Breillat. Jeanne acts as the alter ego of the real director. Jeanne reaches an impasse at the start of filming. Not only has she picked the wrong time to photograph this movie during a cold spell, as it involves beach locations that are obviously too cold for the actors and extras. Jeanne has problems with the two principal actors, especially, the male lead who has problems accepting the way the director has decided to show him in the movie; the lead actress is no angel either. Movie making, Ms. Breillat tells us is a process like no other in a creative work of art. First, there is the writing period, in which, in this case, Jeanne, has written a screen play, that when it goes into production reveals problems the writer/director didn't think about. There is the problem of how she wants to photograph a love scene in which the young woman of the story has her first sex contact. What appeared clever in the written page, doesn't necessarily translate into an easy time in front of the camera. The actor is made to wear a false * and has a lot of problems accepting the fact that a make up has to touch him in ways he never thought he would ever be touched by another man. The luminous Anne Parillaud is marvelous as Jeanne, the director. She makes observations about the production, the actors, and the crew that fit well into the story being told. Gregoire Colin and Roxane Mesquide play the lead actors, with all the insecurity that some actors bring to a movie set. Jeanne has to massage their egos in order to get what she wants in the end. Ashley Waninnger plays Leo, Jeanne's assistant. "Sex Is Comedy" allows Ms. Breillet to give us her own take on films in general. This is a great look at the way movies are done in a typical Breillat style.

Pretty darn good for a French film. I have not seen any of Catherine Breillat's previous films, and so have no opinions about this compared to her previous work. French cinema usually sticks to the ultimately arty films, and leaves the shoot-em-ups and star vehicles to Hollywood. That is probably a good business strategy, as no other nation's film industry will likely have the resources to compete on those sorts of projects. Films about film-making are often a bore, as it has little resonance for people not in the business. But this one held my interest much more than I thought it would. In spite of the title, (oddly in English) it really isn't much of a comedy, in spite of a few droll moments. I've only seen a few of Anne Parillaud's films, but she shows a generous amount of talent and range, from the action/psychological drama of "La Femme Nikita" to the wry comedy of "Innocent Blood". This film also extends her range as she plays a more or less ordinary woman, yet is still compelling on the screen. Kudos also to Roxane Mesquida, with whom I was unfamiliar. She plays a very inexpressive actress for most of the film, whose talent is drawn out at the end. If you don't HAVE to have car chases and explosions to be entertained, check this one out.