A bunch of idiots with guns slaughter each other. The End Moral of the Story: People with guns are either criminals or morons. Reference by one couple implies that they're Christian (or at least their nephew is) but cultish given the thinly veiled David Koresh/Waco comment. At one point the criminal makes the statement "does everybody have guns!" And there it is. The arrogant (and ignorant), condescending, political motivation for the whole movie. While almost without exception in a real situation in which a criminal with a weapon holds a place up and there is someone with a legally obtained fire arm-they tend not to be hillbillies, morons, or idiots rather law abiding citizens who do in fact protect and save lives. But not here- No doubt it'll be said that the real moral of the movie is about greed but it's not. Now to be fair-if one was to give firearms to a bunch of this film's writers, actors and directors and their personal friends, family and peers and put them in a diner and told THEM to save themselves then this most certainly is a likely outcome but I don't think that's where this one was trying to take us. I want my 90 minutes and 5.99 back....

This is by far one of the best indie films I've seen in a very long time. It's a great combination of good acting, balancing humor and suspense while leveraging a great script that is impossible to predict. Indie films usually struggle with budget and acting, so if you can strip the need for budget and get some quality actors to come on board you're gonna have a shot at a winner...this is one of those times. Joceline Donahue (from The House of the Devil) and Jim Cummings hit the ball out of the park with their acting in this. Also, even being in just one remote setting primarily, the film never gets boring and the last third is super engaging. Great effort guys!!! Kudos to all involved! 8.2/10.

Nice interesting take on the heist take genre. Lots of inspiration from obviously Quintin, spaghetti westerns especially The Good the Bad and the Ugly. The story unfolds in this wild paranoid situation that can blow up at any moment. You will sit on the edge of the seat during this one. This film is also set in what looked to me the 60s, so you get a great bit of Americana here and who doesn't love that? The small town in the middle of know where where the gas truck is late an the gas station is out of gas sets up the plot for the entire movie, which is great story telling device. Very possible scenario out west especially in the 60s. I also, love that everyone has a gun on them, which isn't that out of the ordinary in a small American town...though I am only speaking from a current modern perspective of living is small town USA. Some of the negatives, is sort of basic Hollywood trope on how guns work, which is rather silly, but at least in this movie the unrealistic gun battle, is very important to set up the morality of the characters. We all believe we are good people, but when the opportunity is there to get away with a crime, this is what really sets apart from the good the bad and the ugly.

I liked it ... The acting is good, the dialogue is well-written, the cinematography and visuals are nice (really old-school/retro). The film feels like 1990s Tarantino at times. The movie held my interest from start to finish. You really feel like you don't know what's going to happen throughout the film I would say, in terms of criticism, that the main character's actions at the end are head scratching. I don't want to give spoilers, but he basically makes some dumbbell, head scratching decisions Also - it's good to see Wendell from the 1990s series Parenthood in the movie (the fat black guy)

"The Last Stop in Yuma County," the debut film from director Francis Galluppi, offers an intense and thrilling ride that packs a lot into its singular, rural Arizona setting. The story revolves around a traveling salesman who, while stranded at a desolate rest stop, suddenly finds himself caught in a harrowing hostage situation initiated by two ruthless bank robbers. Galluppi's choice to set the entire drama in one location amplifies the claustrophobic tension, which is skillfully maintained throughout the film. The retro style pays homage to the gritty crime thrillers of the 70s, providing a nostalgic touch that enhances the overall visual appeal and atmosphere. The acting is a real highlight, with performances that bring depth and authenticity to the high-stakes drama. This strong ensemble cast ensures that every moment of the film feels urgent and genuine, echoing the intensity often found in Safdie Brothers films, yet with a unique flair that sets it apart. Although the film is mostly engaging and well-executed, there are a few spots where the pacing stumbles and the focus wavers, hinting at areas where Galluppi might further hone his skills. Despite these minor flaws, "The Last Stop in Yuma County" is a compelling watch, especially for those who appreciate tightly wound narratives and a solid throwback vibe. It's a promising start for Galluppi, showcasing his potential to grow into a noteworthy filmmaker in the genre.

A good enjoyable movie with a very simple story which works well in in timeframe of 90 mins. Reminded me a lot of Quentin Tarrantino movies with the tongue and cheek. And it's ridiculousness through silly decisions made. It built great sense of suspense and when the action begins it all ends in a very quick bloodbath. I won't say much about the story because it's quite easy to spoil it.... Ignore the haters , they seem to forget not everyone is smart in this world . They should be reminded to go on YouTube and have a look .... At funny videos of people doing stupid things online We have a young Quentin Tarrantino director! Hats off to you! I would love to see you do this style again with something even more ambitious in the future.

Director Francis Galluppi first feature film was excellent, small cast of actors in one environment at the deserts of Arizona. I honestly believe this is better than Kingdom of the Planet of the Apes, not many people liked and enjoyed it, there's a few people like me that did not cared of the movie that much. This tells the story about a businessman, two bank robberies and the waitress and a few other folks that came for the gasoline truck, right in the beginning that gas truck collapsed and truck driver did not survived. The tension is palpable, the atmosphere thick with anticipation, and the characters are as richly textured as the American landscape they inhabit. Galluppi's direction is nothing short of brilliant. He orchestrates the suspense with the skill of a seasoned maestro, ensuring that the audience is on the edge of their seats from the opening shot to the final frame. The cinematography is a visual treat, capturing the stark beauty of the desert and the claustrophobic intimacy of the diner with equal aplomb. The script, penned by Galluppi himself, is a work of art. It weaves together elements of dark humor, pathos, and suspense to create a tapestry that is both intricate and engaging. The dialogue crackles with intensity, and the plot twists are executed with such finesse that they leave the audience breathless. Through this 90 minute feature length film and a indie film, is a cinematic triumph. It is a film that not only entertains but also lingers in the mind long after the credits have rolled. With its impeccable direction, stellar performances, and a modern classic that will be remembered as one of the finest examples of American indie filmmaking and of course the script that's as sharp as a knife.

... and i mean this in a far more positive way than it sounds! A slow-burning B-movie with a single-setting scenario and American Rust atmosphere, Yuma County introduces lovably one-dimensional characters (again I mean well, they are so by design) - right until the plot decides to have a lil bit of macabre fun and put them in the most complex, unresolvable, dilemmatic (most often life or death) situations. The second half of the movie recompenses for the viewer's patience with the first: it is dark and hilarious and sad and unnerving, and more; there's twists and turns worthy of a James Patterson novel, and soon enough it all escalates faster than you can say -escalation-... In short: One can see where the good ratings throughout come from. This is an enjoyable little gem of a movie that also doesn't overstay its welcome. Technically and acting-wise it does a fine enough job as well.

Summary: The movie is entertaining with a theme of western slow burner. But does not go beyond a good one time watch. Details: The western vibe with desert, dust, heat, guns, bad guys, is all spot-on and gets you hooked into the story In the beginning the slow-burn is good but soon the movie picks up pace and there are lot of small twists and turns But you dont really feel bad for any character or emotionally moved/attached(except maybe for the scenes with baby) or have deep philosophical state of mind at any point in the movie or in the end. it has traces of Tarantino style western, coenesque theme of idiocy meeting evil with surprising coincidences/accidents but fails to match up to their level. Basically its a movie about greed which keeps you glued when its on but after watching the movie you are underwhelmed and forget this movie quickly.

...I was really surprised the movie was this good. Its premise is simple. Small diner in middle of nowhere. Where nothing really happens. Life is a cup of coffee and you live on. The assemblance of character cast was interesting. No big names, just simple people that made it work. They are good at what they do. They entertain us, that made the difference. It gave the moments grit from all sides of life. Crooks, geeks, elderly, blue collars..etc. Directer did great job, keeping us idling along just right. It never got boring. Kept us waiting for what could or would happen next. Ambiance worked great. Dry, hot, desolate weather. How can anyone live here? But they do. Very enjoyable, flick.