source: The Lonely Lady

The Lonely Lady

Some of the impact of the show was lost on the smaller TV screen. Pia Zadora does well in spite of the material she's given to work with. I think the film's worst part is the instant bandage that's applied when Pia's character overdoses and has a nervous breakdown, but fifteen minutes later her first film is produced and she's ready to accept an Oscar for best screenplay. The industry seems to be full of powerful women who climb the bedroom to the top of success while their male companions sink to the bottom from where they were. So, the Oscars speech was true, funny, and I think in real life there would be a pause of silence from the ceremony audience followed by huge laughter along with a standing ovation of applause and hugs for her. The truth is sometimes a hard pill to swallow, but it can relieve a lot of hidden pains.

Bad script, bad direction, over the top performances, overwrought dialogue. What more could you ask for? For laughs, it just doesn't get any better than this. Zadora's over-acting combined with the cliched scenarios she finds herself in make for an hilarious parody of the "Hollywood" machine. Almost as funny as "Spinal Tap" even though it was clearly not intended as such. Don't miss Ray Liotta's debut film line, "Looks like a *."

Even when I saw this movie at a teenager, I wondered just how ironic it was that Pia Zadora starred in a movie about an artist who slept her way to the top. As beautiful and sexy as Ms. Zadora is, even she couldn't keep this sorry-ass excuse of a movie from tanking. Not even her photoshoot for Penthouse, in which "The Lonely Lady" was promoted "back in the day," could keep this movie from tanking. The only thing that could have saved this movie? A completely different script. Give this one a miss.

The depth of the creative bankruptcy in this film is most evidence in the final scene. The writers gave Pia Zadora's character a reasonably interesting name, Jerilee. (That's as close as I'll come to complimenting this picture). Then, when the nominees at the Oscars are being read, another screenwriter is named Jerilee, too. Bafflingly stupid. This is one of the few movies so bad that it would even be passed over by *-scene-hunting horny teenagers. Everything about is bad. There is not a single redeeming quality, not one scene that works, not a single character that isn't a benign, idiotic one-dimensional drip. I can't call this the worst film ever made but it's close. However, the single worst scene in a movie I have ever seen is Pia Zadora's nervous breakdown. Quite simply a waste of vital resources. 1/2* out of ****.

How bad is it? Well, I lived in central Pennsylvania during Hurricane Agnes in 1970, the Great Blizzard of 1993, and was in northern Vermont for the Ice Storm of 1998. Someday, my grandkids will ask, "Grandpa, what was it like?" and I will say, "Well, it was bad. But not as bad as watching 'The Lonely Lady!'" I worry that someday the world will see a major nuclear war. And if it does, the survivors will say while digging out, "That was horrible. But come to think of it, it wasn't as horrible as 'The Lonely Lady!'" Please folks, if you want to see an '80s flick with lots of skin, see "Summer Lovers." Do NOT see this film unless watching a dwarfish leading lady getting raped and spouting unendurable dialog to a bargain basement cast is your idea of an enjoyable movie experience.