source: The Shadow on the Window

***SPOILERS*** A pre "Leave it to Beaver" 8 year old Jerry Mathers as Petey Atlas finds himself in the middle of a murder & kidnapping when he stumbles across these three juvenile delinquents, which they were known as back in the 1950's, who after beating the owner of the house Ben Canfield, Watson Downs, to death took his mom Linda Atlas, Betty Garerett, who was there looking for a job hostage. Traumatized by what he saw Petey loses both his voice & memory of the tragic incident and is picked up, aimlessly walking down the highway, by a couple of truckers who take him to the nearest truck depot in order to both identify him and find his parents. As it turned out the cop who's in charge, or better yet took charge, in finding Petey's mom is non other that his dad Officer Tony Atlas, no relations as far as I can see to Charles, played by that handsome hunk or a man Phil Carey. Back at the Canfield house the three juveniles lead by psycho Jess Reber, John Barrymore Jr, and his two pals the sensitive but at the same time maniacal Joey Gomaz, Gerald Sarracini, who in fact brained Mr. Canfield to death and all American looking Gil Ramsby, Cory Allen, try to make their way out with the $6,000.00 they ripped off the murdered Mr. Canfield. But with them facing the San Quentin gas chamber, for murder & kidnapping, their chances of surviving a major police as well as FBI manhunt aren't that good. ****SPOILERS**** It's the crazed jess Reber who tries to take command of the trio who's crazy actions ends up doing both Gomez & Ramsby in with them never living long enough to see the end of the movie. Gomaz ended up getting killed, by him trying to protect Mrs. Atlas, by Reber and Ramsby getting shot by the police in refusing to give himself up when surrounded by them! Reber the one who planned to go down in a blaze of glory ended up meekly giving himself up and releasing Mrs. Atlas when he saw that his goose was cooked with her husband Officer Tony Atlas pointing a gun to his head after slapping him silly! As for the "Beaver" or Petey Atlas in the end he was not only reunited with his parents, who also reunited after being divorced, but also got his voice and memory back as well. P.S Actor Cory Allen who co-stared with James Dean in "Rebel without a Cause" had the unenviable distinction of not only having his co-star James Dean in the movie die tragically in a car accident a week before the film was released but also had his co-star here Gerlad Sarracini tragically die in trying to prevent a mugging outside a Manhattan night-club restaurant some eight months after the movie "the Shadow in the Window"-that he stared in with Sarracini-was also released!

"The Shadow On the Window" was another of those tight little 80 minute film noires turned out by Columbia Pictures in the 1950s. It has a good cast and provides a lot of excitement. A little boy, Petey (Jerry Mathers) witnesses a murder and the abuse of his mother through a window of an isolated house where the mother Linda Atlas (Betty Garrett) had gone to work as a stenographer. The crime was committed by a gang of three youths, Gil Ramsay (Corey Allen), Jess Reber (John Barrymore Jr.) and the simple minded Joey Gomez (Gerald Sarracini). Petey goes into shock and wanders aimlessly down the highway where he is picked up by a trucker and brought to the police. The gang had broken into the home of a wealthy senior citizen to rob him. When he resisted, he was killed. The gang is unaware of the boy and thinks that his mother is bluffing. The boy's father Tony Atlas (Phil Carey) just happens to be a police detective. Together with his colleagues he begins to try and find his wife while at the same time, trying to reach his son. At the house, the gang is deciding what to do next. Having no car they are unable to leave. They ponder over "what to do with the dame". Jess favors doing away with her, while Gil the leader, does not. Neither does the hulking Joey who threatens bodily harm to anyone who touches her. Tony identifies the members of the gang through police work. In the meantime, Gil leaves to obtain a car but is surprised by Tony and the police. Back at the house, Jess gets a hold of the murdered man's gun and................................................... Phil Carey was never able to achieve "A" player status in the movies. He did get the occasional lead as here, but was mostly as a supporting player in westerns and cops and robbers dramas. He did however, achieve success on TV in the soap opera "One Life to Live" for the last 30 years or so of his life. Betty Garrett had a good career in the 40s in various musicals and comedies. She was however, married to actor Larry Parks ("The Jolson Story") who was blacklisted by House on Un-American Activities Committee (HUDAC) in the early 50s. She, by association was also put on the black list for a number of years. Her casting in this film was only her second film in years. John Barrymore Jr. was the son of the famous actor who's behavior was erratic to say the least. He changed his name to John Drew Barrymore in 1968 and is the father of actress Drew Barrymore. Also in the cast were Sam Gilman, Rusty Lane and Paul Picerni as various cops and Angela Stevens and Mort Mills as the dead man's niece and husband. Jerry Mathers of course, will be forever known as "the Beaver" in the hit television series, "Leave it to Beaver" (1957-63).

Interesting crime drama from Columbia Pictures that stars John Drew Barrymore as Jess, a psychotic criminally minded teenager that leads two of his friends, Gil(Corey Allen)and Joey(Gerald Sarracini)into a not-so-well planned robbery. The trio force their way into and kill a well-to-do homeowner after robbing him. There are immediate problems right off the bat. Witnesses...a secretary, Linda Atlas(Betty Garrett)and her son Petey(Jerry Mathers). The young boy manages to escape the house and is mute after witnessing the shocking events. Linda's husband happens to be Detective Sgt. Tony Atlas(Phillip Carey);and he is a determined cop with the safety of his family on the line. Garrett actually shows the better acting. Although Barrymore is pretty flawless as a psycho teen. Carey is diligent and stoic. Rounding out the cast: Paul Picerni, Rusty Lane and Sam Gilman. William Asher directs.

Several years before this came out, Columbia had made an above average thriller called "The Night Holds Terror", a definite copy-cat of "The Desperate Hours" where a traveling businessman ends up giving a lift to a group of thugs who hold his family hostage, and here, it happens again, albeit with several dramatic changes. It's "All in the Family" for Philip Carey (who once played Archie Bunker's gay football player friend in a first season episode) and Betty Garrett (Archie's nemesis, Irene) who are separated due to her desire to go back to work. The opening scene has their son (Jerry Mathers, as different as Beaver as you can get!) spying his mother being thrown to the ground during a struggle with a group of thugs and the old man who has hired her for the day being killed. He runs off in a daze, is picked up by some truckers, and ends up in police custody where ironically his father is called in after another officer recognizes him. Garrett's whereabouts are a mystery to everybody who knows her, and it is only through some clever calculating that her location is discovered, hopefully in the nick of time. While this is a very enjoyable thriller, it seems like there is a lot of padding added to make this even get to its 72 minute running time, pretty short for a movie of the late 50's. That indicates that it was a second feature, a breed slowly dying out at this time, but there is enough action to keep it moving. The problem is the variety of existential characters added, from the drunken warehouse foreman whom the truckers dumped Mathers on and his awaiting wife (not to mention his mistress), and the dead old man's niece and her husband who obviously only keep in touch with him so they'll end up in his will. What is very interesting is how Garrett manages to manipulate the three men holding her hostage, gaining the sympathy of one of the men who knows that his partner (John Drew Barrymore, billed simply as John Barrymore Jr.) is a violent psycho. Of course, when you get the criminals arguing with each other, it is pretty obvious that they will eventually turn on each other. Carey ends up in a chase with the third thug, leading to an emotional scene with that gangster's mother and a chase on the apartment rooftop that leads to more clues but also leads to a violent finale. This was a far different role that Broadway musical legend Betty Garrett had ever played in, having been mostly in a handful of musical films like "On the Town", "Take Me Out to the Ballgame", and most recently, "My Sister Eileen". She only has one scene with husband and son Carey and Mathers, but obviously had worked with them for family photos which Carey finds still up when he visits his former home to find some clues. "One Life to Live" fans will be delighted to see the future Asa Buchannan in this major part, a reminder that he was once one of the busiest action/western stars in films, not just a future soap patriarch. Mathers is very touching (and convincing) as the mostly quiet kid, scared into silence by the violence he's witnessed. Yet, there's no confusion that this is none other than the future Beaver Cleaver from his very first shot, wearing cowboy gear, and clicking a toy gun. This is definitely worth a look for how 1950's thrillers of all types could engross you even though they could have easily been made for the then popular genre of Anthology shows which were all over the T.V. airwaves of the 1950's and 60's.

When it started out it seemed like it could be decent watching. It became tedious and boring because the three robbers/kidnappers were incredibly stupid. Made me uninterested in movie. The acting, overall, is below par. There is nothing much to recommend this movie.

I'd actually call this one a 5.5. Pete Atlas (Jerry Mathers) is playing in the yard of a house where his mother is working. He looks inside through a window and sees three young hoods fighting with the old man who lives there and sees them ultimately kill him in that fight which is part of a robbery in progress. The hoods don't know about or see the boy. Pete is traumatized by what he sees and starts wandering down the highway where he is picked up by two truckers who can see he is in shock, worry about him just walking down the middle of a busy highway, and take him to the local police department, and are then on their way. It so happens that Pete's dad, Tony Atlas (Philip Carey) is a detective at that police department, and wonders what has happened to his son, who refuses to speak. Because Tony and his wife Linda have been separated for eight weeks, he knows that Linda has been working part time as a stenographer, but has no idea where. And the truckers that picked up the boy and could tell him the location are long gone. Meanwhile, back at the house where the hoods robbed and killed the old man, they are pondering what to do with Linda, the witness they were not expecting to the murder they were not expecting. Jess (John Drew Barrymore) is the cold blooded one who outright says the only thing to do is kill her. The second mainly wants to save himself, and the third has a moral core and just does not want to kill but is afraid of Jess. So this is the very claustrophobic at times hard to watch part of the film where Jess is shocked! shocked I say! that Linda does not want to get romantic with somebody who sees her as a future murder victim. Meanwhile, outside the house, the entire department - led by Pete's dad - is trying to figure out where Linda is. The police procedural part is a welcome diversion from what is going on in the house with the hoods. Barrymore sure looks the part of an amoral killer. In fact he played several of them. He just doesn't really have the acting chops for the job. Jerry Mathers doesn't get a chance to do much with this role, the same year he will leap to stardom in "Leave it to Beaver". The standout here is Betty Garrett as the witness/hostage to the three hoods. Mainly known at that time as the comic relief in the MGM musicals of the late 40s and early 50s, she shows she can really hold her own in a drama as she tries to talk the hoods out of doing away with her, as she hopes time is on her side.

Better than expected thriller about a home invasion robbery gone wrong. Jerry Mathers plays a young boy who witnesses a murder at a home where his mother (Betty Garrett)is working. In shock, the boy wanders off before being picked up by a passing truck. He is dropped off with the police where it so happens the boy's father, Phil Carey, is a detective. Unable to get the boy to talk, the police begin a city-wide dragnet hoping to grab up someone who might know the location of Garrett. John Barrymore Jr., Corey Allen and Gerald Sarrcini are the not so bright hoods holding Garrett. Having murdered Garrett's boss during the robbery they must decide whether to kill her as well. Several gun battles and a couple of more bodies are piled up before Carey saves the day with a just in time rescue. OK time-waster.

This film has the feel of a TV drama made into a B film. Saw it on cable recently as a curiosity since a young Jerry Matthews was in it. The drama, directed by William Asher, was a surprise. The film is a police drama where a young mother, working as a free lance secretary for a farm owner, gets tangled in a break in that ends badly. Her young son, playing innocently outside watches the whole thing. What young Petey witnesses produce in his little mind a trauma that makes him run from the scene until he is found by two truckers going to market. The movie was a product of the era in which takes place. Betty Garrett, as Linda, is perfect for the part. Also good was Phillip Carey, an actor that never had great opportunities in films. The scene stealer is Jerry Matthews, who played Beaver in the old series.

Home invasion movies were popular during this period (1950's), maybe as a way of injecting fear into audiences from comfortably expanding suburbs. Here three young hoods invade an old man's home, kill him, while traumatizing the young son with his mother who's there as a stenographer. Unbeknownst to the hoods is that mom's the wife of a cop sergeant, so when the speechless boy is found, a police hunt is launched, led by the agonized husband father. So what will the quarreling hoods do with hostage mom as the cops close in. It's an interesting cast with Barrymore Jr. as the murderous hood, Corey Allen from Rebel Without a Cause (1955) as the conflicted gang member, and Jerry Mathers of Leave It To Beaver (1957- 63) as the unfortunate boy. Also, probably shouldn't overlook actress Garrett as the mom, whose budding musical career was stymied by the Hollywood blacklist. All in all, the flick's a pretty good suspenser of the sort that would soon transfer to TV, maybe The Alfred Hitchcock Hour. Barrymore makes a convincingly nasty hood, while Garrett bears up as the terrified mom, even as Mathers manages a frozen face as the traumatized boy. In fact, I wouldn't be surprised his performance helped get him the defining Beaver role. There're also some good action sequences like the chase over rooftops that help pick up the indoor menace scenes. Also, battling among the three hoods offers interesting personality clashes, especially the woman-protecting Joey. Is he really stupid or just quietly enigmatic. On the whole, however, the 76-minutes is nothing special, but should keep watchers entertained as the crime drama plays out in fairly suspenseful fashion.