Tigertail_720p(480P)

source: Tigertail

Tiger Tail is a slow, poignant movie. It's a representation of the immigrants from Taiwan to the US around 70s. What they thought America was, how they longed to come to America, yet only to find it is nothing like their imagination. How they worked so hard in the US, and yet lost the ability to communicate well with their family. I like the depiction of the relationship of Angela and her father. The conversations are great. I like the ending.

One of the worst film ever made, pretended to be a Taiwanese film but actually a film made to please the mainlanders. Shameful and tasteless.

I watched this on Netflix, and the premise was very interesting. A man leaves the love of his love in Taiwan for the chance of immigrating to America with his boss's daughter, and he decides to seek the love he left behind as an old man as well as get along with his estranged daughter. Though the narrative was interesting, well, I felt that the film could've done more with the characters, esp. Yuan, who is played by veteran actress Joan Chen. I think she should've had more screen time given her acting prowess, and perhaps this could've been a limited series. Maybe I'm insisting on what the movie should've been instead of accepting what it was, but by the time it ended, I was sorta left hanging. Still, this type of tale should be told more often. As the parents of Asian immigrants myself, it struck a chord with me.

A touching father daughter relationship at the core of it. A bit of a downer but it redeemed itself with a heartfelt ending

Writer-director Alan Yang has absorbed the full measure of auteur Wong Kar Wai, whose lovingly intimate In the Mood for Love is my litmus test for modern Asian cinema at its best. Although Netflix's Tigertail may be more realistic than Mood, it captures a middle-aged Ping Jui (Tzi Ma) romanticizing his past as he struggles to connect with his estranged daughter, Angela (Christine Ko) in the present. Do not look to this drama for an eye-popping American love story, for it is Asian in its restraint and its lyrical understatement. After facing deep disappointment as an immigrant to America with his arranged wife, handsome Ping adjusts to the realities of life and the boredom of his marriage. Salving his despair are the images of his former love, Yuan (Joan Chen), whom he left to go to America on his factory boss's dime and with the boss's daughter as bride. Although American romances often end with a pleasant alignment, Yang does not indulge us on such fantasies. Tigertail smacks us with the vagaries of immigration, not the thorny process the news underlines today but rather the disappointment an immigrant might experience as he watches his American dream collapse under the weight of a reality check that includes substandard housing and menial jobs. The latter part of Tigertail is about the glacial change that comes to Ping after his mom dies, his wife leaves him, and he must try to connect with Angela, unaccustomed as he is to saying anything much of anything to her. His Asian paternalism and cold restraint make communication challenging. The painful reunion is the strength of the film: Most of us have at least one family member we should reach out to, but we may lack the willingness or interpersonal skills. Yet, those skills can come slowly but surely as we face them to overcome them. Tigertail is a small drama filled with humanity, superior acting, and enviable cinematography. John Ford would be happy to see how Yang honors him with a final shot that recalls the famous frame shot in The Searchers. Tzi is no John Wayne, but they share characters with a remoteness that plagues cultures and families for all times. As we struggle with the pandemic's demand for social distancing, Tigertail shows the effects of it in everyday real life.

Visual dreck. These people live in the dark. Unwatchable.

"Tigertail" is one of the better films I've seen lately. A moving yet quiet film that offers viewers a look inside immigrant life. . In this drama, a Taiwanese factory worker leaves his homeland to seek opportunity in America, where he struggles to find connection while balancing family and newfound responsibilities. . I found this film to be more compelling and resonant than 2019's "The Farewell". "Tigertail" had my full attention from the start until the very bittersweet end. You get to see a completely other side of writer/director Alan Yang ("Master Of None") and he leaves filmmaker imprints as he goes along. The performances in this film are great as well; the iconic Tzi Ma ("The Farewell", "Arrival") really gets to show off his acting chops here playing a quiet but struggling man. You feel his pain and conflict throughout. I didn't think I'd enjoy "Tigertail" as much as I did and I think you should definitely stream it on Netflix. . Follow @snobmedia for more reviews!

Finding the perfect movie when you can't go outside is harder than you'd think. Take it from someone who's been locked down in Brooklyn for nearly a month -- most movies will start to blend together into a pleasant, but unremarkable haze. Tigertail is the exception to that rule. Its gorgeous cinematography seduces with exotic locales that feel tantalizing close. The dialogue is sharp, biting. Alan Yang (Emmy-award winning writer behind this masterpiece) has transformed the standard Netflix formula of stunning visuals and meh story into a glimpse at the future of movies. It'll be a long, long time before any New Yorker gets to wildly overpay for a tub of lukewarm buttered popcorn for the privilege of a true cinematic escape in the grand tradition. Until then, crack a cold one and try Tigertail.