Another year, another holiday-themed horror movie! Watching my annual holiday horror flick on Christmas day is my second favorite tradition, next to getting drunk on Jägermeister and argue with my siblings! This year I found in my Christmas stocking a movie that I've wanted to see for a long time, even though I always knew not to expect too much from it. "To All a Goodnight" holds quite a bit of cult-value, but that's almost solely linked to the fact that it is the one and only film directed by David Hess; the legendary infamous lead actor of exploitation classics such as "Autostop Rosso Sangre", "House on the Edge of the Park" and – particularly – "Last House on the Left". I don't know why Mr. Hess suddenly thought it would be a good idea to contribute something to the genre as a director, especially because his "To All a Goodnight" is extremely formulaic, dull and forgettable. You know the routine: a group of girls that don't return to their families for the Christmas period remain at their finishing school, sedate the landlady with sleeping pills and invite their horny boyfriends over for a wild night of jingle bells. Unfortunately for them, there's a maniacal killer dressed in a Santa Clause suit running loose on the premises. Could his rage perhaps have something to do with the fatal accident that occurred in the same finishing school one year earlier, when a poor young girl fell to her death during an initiation prank gone awry? My guess is yes
Working from a script from Alex "The Incredibly Melting Man" Rebar, Hess isn't too shy to insert literally every single slasher cliché that exists. The sorority setting and payback for a deadly prank are two examples of this, but also the presence of a suspicious and perverted looking gardener who always pops op out of nowhere, the surviving virgins and the dead phone lines are terribly overused clichés. Of course, on the other hand we also have to bear in mind that "To All a Goodnight" was released in 1980 already, and thus prior to the enormous slasher boom later that decade. Still, even for a low-budgeted film, the killings are disappointingly uninspired and bloodless. Due to the poor and dark photography, the murders are often even impossible to see! The final twist, as in the revelation of the killer's identity, is fairly obvious from early in the film, and it's not even that difficult to foresee who will survive the Christmas massacre. There isn't much to mention regarding the cast, neither, except maybe that one-time actress Linda Gentille has a ravishing body and that * king Harry Reems ("Deep Throat", "Educating Mandy") makes a bizarrely insignificant cameo appearance as a private airplane pilot.